A Quote by Madonna Ciccone

I think after time goes by and you earn certain rights or you break through certain barriers, you could sometimes, maybe, take it for granted what you have now that you didn't have before. And then that would lead to a certain lack of community, in a way, caring in a way, that I saw before [in gay society].
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.
I think I realize now I was really, really scared to express myself through fashion or certain music or certain TV shows. I was petrified that anyone would ever think I was gay god forbid, and so, once I got over that I kind of could just let myself be.
The endeavor of being a foreign correspondent means that you will never be their equal. And that has its pros and cons. Were you to be an insider in a particular society, then you would be one of them, and the way you would write about that society would be very different. When you're brought up in a certain way, you have certain blind spots to the things going on in your culture. There is an illumination the outsider brings to a place or a situation that cannot be duplicated.
There are many situations in life where we don't think while behaving in a certain way. Then there are instances which leads to the realization that maybe this is happening because you had behaved in a certain way. This thought at times is self liberating, according to me.
There have been moments in my life when I've become numb to certain aspects of myself that I found frightening. Or I've conformed to certain morals of society and then maybe rebelled or found a way out.
When it comes to having conversations with girls what I hear from them is that there is a lot of pressure to look a certain way, act a certain way, perform a certain way, and there are very mixed messages. We are telling them, 'Be yourself, be true to who you are,' but what does that mean in a society of comparison, competition, and individualism?
In a way, I feel that we're always connected, maybe you and me, we've been connected - not only now, but before. That's why we've crossed paths. And this manifests beautifully for me in fables, old television, novels in Thailand, but now we try to ignore these themes and stories. That's why now when we make "ghost" films, they have a certain stock quality to their effects, a certain formula, and I miss how it used to be.
I think that battle that you have almost never goes away. You're always questioning and hoping that stuff goes a certain way, that you get a certain reaction.
There's certain classes you have to take, certain things you have to do, certain money you must have. Then, if you listen to the counselors and social workers and everybody else talking at you, you would think that once you got out of high school and college, life would be beautiful. But it's not.
Without running, I would have missed the joy of rain. What could be considered an inconvenience or a bummer to the inexperienced is actually a gift. Without running, I would miss a lot of things-like seeing cities in a certain way, or knowing certain people all the way to the core. I'm glad we don't experience life through glass, under cover, or from the sidelines. Good things take miles.
I've worked with a lot of first time directors; in fact, I enjoy it because there is a certain beginner's mind that they bring into a project that isn't loaded with the way things have been done before. There's a certain freedom to it.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
In the past, you would take the time to write a love letter and you would think about what you wanted to say and compose it in a certain way. Now, everything is so short. It has to be, because it is rushed, and therefore, in a way, it loses a little bit of its importance. But I think it is very important to take the time to say what you want to say.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
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