A Quote by Madonna Ciccone

Hollywood, how can it hurt you when it looks so good? — © Madonna Ciccone
Hollywood, how can it hurt you when it looks so good?
The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.
You said you didn't want to get involved with me,that one of us would get hurt and how you couldn't bear it. Well that just isn't good enough..Look what happens to people just living their lives. They get hurt, it's not fair they get hurt but they do, all the time, no matter how careful they are. Somebody can just just come along and hurt them, for no stupid reason.
I don't care how you get the outs. It doesn't matter to me how bad it looks, how good it looks, how many strikeouts you have. None of that stuff matters as long as you get the outs.
The first thing you do before you take a swing with a driver is put it down and see how it looks to your eye. If you don't like how it looks, it's going to be difficult to hit a good shot.
Hollywood sold its stars on good looks and personality buildups. We weren't really actresses in a true sense, we were just big names - the products of a good publicity department.
In Hollywood, most things are based on looks, so I'd love to do something that has nothing to do with how I look.
I don't want to hurt anybody because of their looks. That's been used to hurt me so much.
This looks a good team on paper, let's see how it looks on grass.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
If you have your own taste, you know what looks right and what looks good on you versus someone kind of telling you what looks good on you.
If you are hitting the ball well, your form, your technique looks good, and when you are not, everything about your game looks bad. That is how it goes.
I'm not sure anything makes you an outright good person or bad person - that we're all capable of doing good or bad things. And if you want to know how much good you can do, and how much hurt you can do, just ask somebody you love.
My dad played for a coal-mining team in eastern Ohio; he was a very good pitcher. If he hadn't hurt his arm, he probably would have got a shot somewhere. He hurt his arm one spring, didn't warm up good enough, couldn't throw a fastball anymore. Another coal miner taught him how to throw the knuckleball.
What's David's role? David looks good, that's what David does. David looks good, and I'm the funny one, that's what I hear constantly. But I keep telling him that looks fade.
I do as much outdoor stuff as I can. What I've done is I bought a house in the middle of Hollywood, but I live in the forest. I literally live in an area that looks kind of like where I camped as a kid, but in the middle of Hollywood. It's called Laurel Canyon.
If he was a good man, how could he leave me? So he must not be a good man. But if he isn't good, then why does it hurt so much to lose him?
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