A Quote by Madonna Ciccone

I've always danced and exercised. I can't imagine not doing it. I'll be Martha Graham in my 90s doing contractions on the floor. — © Madonna Ciccone
I've always danced and exercised. I can't imagine not doing it. I'll be Martha Graham in my 90s doing contractions on the floor.
I can't imagine Weezer stopping. We just love doing what we're doing, and I think we'll keep going until we fall down dead. Even if the audience is abandoning us, I can't imagine doing anything else!
I'm doing a bit of theatre: I'm doing a Mike Bartlett play called 'Contractions.' I'm very, very happy and lucky to be going back to the stage.
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
I've changed, and I've learned every single year what to do and what not to do. But I still pride myself on going out and doing the right things. Doing what I'm supposed to be doing on both ends of the floor.
There's no point pretending that all of Martha Graham's pieces are equally strong.
The Queen of Crafts herself, Martha Stewart, and I have the same birthday. I prefer to think it's the glue-gun wielding, perfect-tart-producing Martha and not the copper pan-throwing, jail-going Martha. But I suppose if I am going to share a calendar square with some of Martha, I have to share it with all of Martha.
I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.
I can't imagine being anything creative in a major town because everybody's doing the same exact thing you're doing. How can you not get confused about what you yourself are doing?
One of the things I most wanted to do in New York was to go to a performance by Martha Graham. For me, she's Miss Mattie T. Graham. I thought she needed something in the middle. If she's going to be an honorary Southerner, she's got to have something in the middle, so I just put an initial T and a period.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.
All of my friends at drama school were still sat on the floor doing voice exercises and I was doing scenes with David Tennant and Catherine Tate.
I love entertaining and doing Martha Stewart stuff.
Every morning when I'm thrashing around on the floor doing my solid hour of heavy exercises I'm not really doing that for anyone but myself. It makes me feel good.
We found a great rhythm. Contractions started kicking in. I sat there with her, right between her legs. We got tribal on it, we danced to it! I was DJ-ing this Brazilian music.
I think there's no question that historians create; they would tell you that, I think. If I'm trying to imagine an imperial Roman position, it's much easier to imagine the poor schlub who's not even sure why he's doing what he's doing than it is to imagine Caesar. At least for me. And I'm intrigued, too, by the position of the poor schlub who *still* finds himself supporting the imperial project.
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