A Quote by Mads Mikkelsen
I felt perhaps 'The Girl with the Dragon Tattoo' was a little premature. It was a huge hit around the world - it was still running in the theatres - and the Americans at that time were already shooting the remake, and I was like, 'Whoa! Give it a break of five or six years and get a little inspired, and then do it.'
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You do a draft and you get more notes. You start to get the feeling that this either isn't going to happen or it is going to take a really long time to happen, and I never felt that with this [the Girl with the Dragon Tattoo].
By the way, six A.M.? Not a real great time for me; you know, I'm a comic. I get off work at two. Six A.M., I'm a little grumpy. Six A.M., I'm a little P.O.ed. Six A.M., I'm like a vampire with a paper route.
When you first have a baby your life doesn't change. I mean, you have a little less sleep and you drag these cuddly things around you and it's just amazing. But you still get to be you. Once they get to, like, five, six and school and it starts to get, like, 'Wow, they got real problems. They're my responsibility.' Oh my God. That is overwhelming.
I had to keep myself in check. Like, 'Whoa, whoa, whoa.' I'd never sat in a room, five feet away from a Klansman putting on his damn robe. That's what freaked me out a little bit. But I wanted to see a Klansman.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.
I've always wanted to be a dad. I just can't wait to have a little rug rat running around. I used to want five or six kids, but maybe I've become too self-absorbed over the years. I think two would be perfect.
That mercy towards one set of creatures was cruelty towards another sickened his sense of harmony. As you got older, and felt yourself to be at the center of your time, and not at a point in its circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it.
Then after a long time Annie wasn’t a little girl anymore. She was a big girl and I was so much in love with her that I lived in a dream. In the dream my heart seemed to be ready to burst, for it seemed that the whole world was inside it swelling to get out and be the world. But that summer came to an end. Time passed and nothing happened that we had felt so certain at one time would happen.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
I like to write without being stoned. I like to have a hit or two and then go punch up the writing. I just see different things and hear different things. But it's nice to be working from the base that I wrote originally and then come to it with a little buzz. I can have a little wine from time to time. I have a hit from time to time, but those are the only things I do.
That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
We were little children, four or five years old, but they were all around the house and they made us look epic, like we were part of some story being told. My mom would have this woman come to our house and take photos of us. She did a photo book of us as well when I was one. I still have it.
With every project I've ever done, I've always treated it like I'm still in school. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better.
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