A Quote by Mads Mikkelsen

We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
I think there were so many times that I just felt so overwhelmed by school and by my relationships with my friends and I felt like I was going to be stuck in high school forever and I was never going to achieve my dreams.
Hymns have always sounded like sung spells to me. I never felt included in the magic of the God songs I heard growing up - I knew I was going to hell before anyone ever told me that I was. People found comfort in this all-knowing source, but I felt frightened and found out. I developed some weird and very dramatic complexes.
People give you a hard time about being a kid at twelve. They didn't want to give you Halloween candy anymore. They said things like, “If this were the Middle Ages, you'd be married and you'd own a farm with about a million chickens on it.” They were trying to kick you out of childhood. Once you were gone, there was no going back, so you had to hold on as long as you could.
There were times I felt I'd never get my life back. Am I ever going to be normal and go out with my friends and have a beer and not think I am going to wake up at 3 A. M. and have anxious thoughts about what normal people are doing?
I felt a funeral in my brain, and mourners to and fro kept treading, treading till I felt that sense was breaking through. And when they all were seated, a service, like a drum, kept beating, beating, till I felt my mind was going numb. And then I heard them lift a box and creak across my soul with those same boots of lead again, then space began to toll, as if the heavens were a bell and being were an ear, and I, and silence, some strange race wrecked, solitary, here. Just then, a plank in reason broke, and I fell down and down and hit a world at every plunge, and finished knowing then.
I was about 6-foot-3 my freshman year of high school, and after the summer, I was about 6-foot-8. It all happened so fast. I went into the summer being tall, and when I came back, I was a giant. My knees, man, they were throbbing all the time. I couldn't sit in the car for long stretches; my knees felt like they were going to explode.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
When I lived in Chicago, it often felt like the same people who were going to all the little theater companies were the people who were working in them.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
The early days were really difficult because it was constant no's, I didn't have an agent. I always knew that I had something to offer, but it just felt like I could never get someone to give me a chance.
I told college I was gonna take a semester off, but I knew I was never going back. I felt like the walls were closing in on me.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
'The Vow,' I didn't know if people were going to want to see it, but we felt good about it. We we're like, 'Alright, either way, I liked the movie for what it was,' and I think we knew exactly what we were trying to do.
I never felt poor. Our family euphemism was that we were broke, which I think psychologically gave you a different feeling. There were people far worse than we were.
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