A Quote by Mads Mikkelsen

I did a TV show called 'Unit 1.' It wasn't a bad experience, but yes, the first season I didn't have a good time because I was coming from Nicolas Winding Refn films where the corners were sharp and radical, but now we had round corners.
To be honest, the real reason I did 'Drive' was because of Nicolas Winding Refn, the director.
I always wanted to be a part of Nicolas Winding Refn world, but knew he would never make a movie that has a teenage girl as a lead. Obviously not. Then I heard he was and it was in the fashion world. What? Just combining what we think of [with Refn] - masculinity and violence - in his films with that world was so interesting to me.
I was worried that all the corners of the earth had been explored, all the great battles fought. The famous people on TV were athletes and actresses and singers. What did they stand for? I wondered: Had the time for heroes passed?
There are no straight lines or sharp corners in nature. Therefore, buildings must have no straight lines or sharp corners.
You never know what's coming round the corner. There's only one thing coming round the corner - more corners.
I always seek the good that is in people and leave the bad to Him who made mankind and knows how to round off the corners.
Only the four corners of the background remained. It was terribly difficult to fix my eyes on all of them at the same time. My experience was that the most difficult thing of all in art is painting in all four corners at the same time.
If I had to pick favourite parts of Interlagos, I would say the first and last corners. The first corner is really technical and punishes you if you get it wrong, while the last corner is so fast and really puts quite a strain on your body. As a driver, I really enjoy these corners.
I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.
Of course it would cost something, but he was an expert in cutting corners; and when there were no more corners left he would make circles rounder.
Silverstone is normally quite a tricky place for the set-up and for finding a good balance, because you have a big difference between the low-speed and high speed corners, and there are not really any medium-speed corners in between.
We are described into corners, and then we must describe ourselves out of corners.
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
With TV season structures - and I'm a huge TV watcher - you look at shows like 'Breaking Bad,' which is my favorite show of all time, and 'The Sopranos,' which is pretty high up there as well, and there was that thing where, every season, Walter White would go up a level, but there would be a new bad.
I miss working with my friends and the fun we had. Working on the series was the best time I ever had on a set. I am disappointed that they cancelled the series when they did, because I felt that by the seventh season, we were really hitting our stride, and that episodes were getting better and better. Some people say that the show had run its course and that it was time to quit, but I disagree.
When I first was on Big Time Rush, the TV show, I did a lot of silly things. Among the first episodes that came out, my buddies wanted to have a viewing party, so we turned it into a drinking game. Every time I did something dumb, we took a shot. We were hammered!
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