A Quote by Mae Martin
I'm talking about personal stuff so I think people are on my side.
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I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.
I've tried to get better about weighing what I think the accessibility of an idea is against the cost of executing it. I've tried to be smarter about that, because if you're not smart about that, you're going to be unemployed. But I'm still mystified about what works for people. And I'm not talking about my movies, I'm talking in general. I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
I want my personal life to be personal... And I don't care if you're talking about things that are true, you're still talking about my personal life.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
I was brought up in Guildford, and I think I used to absorb all the suburban things - seeing coffee mornings, women talking... that stuff, really. I was watching Alan Ayckbourn on some documentary, and he was talking about how he was around a lot of women as a child, listening to all that stuff.
I was talking about no nukes, the farm crisis. People said that wasn't stuff that a state auditor was supposed to be talking about. Maybe they were right.
Talking back and being quite aggressive about stuff and not giving a care in the world about anyone. So it was more, I think, that way and I think that's what happened in that party when I stood in between two people.
I can tell you, some of the people I'm running against don't have a clue as to - we're talking now Republicans - as to what to do about what we are talking about, devaluations. And I do. That's what I do, and I am really good at this stuff.
People have become afraid of love because in love also, death penetrates. If two lovers are sitting side by side in deep love and intimacy, not even talking.... Talking is an escape, an escape from love. When two lovers are talking that simply shows they are avoiding the intimacy. Words in-between give distance - with no words distance disappears, death appears. In silence there is death just lurking around - a beautiful phenomenon. But people are so afraid that they go on talking whether it is needed or not. They go on talking about anything, everything - but they cannot keep silent.
I'm a Southerner - I never take satisfaction in touching a nerve. I guess if I'm forced to find a good side, I'm glad that people are talking about an issue that hasn't really been discussed all that much. I'm glad that people are talking about it from the black perspective and the white perspective.
I think people pick up on that. You use personal stuff and mix it all in - I definitely pull on that stuff in my acting.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
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