A Quote by Mae West

Love is like a booger, you pick and pick at it. Then when you get it you wonder how to get rid of it. — © Mae West
Love is like a booger, you pick and pick at it. Then when you get it you wonder how to get rid of it.
A guy is a lump like a doughnut. So, first you gotta get rid of all the stuff his mom did to him. And then you gotta get rid of all that macho crap that they pick up from beer commercials. And then there's my personal favorite, the male ego.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
It's not how you pick your nose, it's where you put that booger that counts.
You can get the best locksmith in the world to design the best lock he can design, is it pick proof? No, it's not: it can be very hard to pick, but it is pickable. Because you can get, say, the next 10 best locksmiths, and give them unlimited money and time, they will figure out a way to pick it.
I pick my swimsuits just like I pick my women. As soon as I see it, I like it, and that's it. I get it real quick.
How'd you get in here?" She raised her eyebrows. “You pick pockets.” Kat watched his hand fly to his back pocket. “I can pick locks. Looking for this?” she asked, holding up his wallet. “Oops. Maybe I can pick pockets too.
We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.
With love like that, you can't get pick about how it finds you or the details. All that matters is that it's there. Better late than never.
The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
I don't get rattled about the big things. I get rattled when I have to pick up my laundry, get gas in the car, pick up a script.
Our cultural instinct is to wait to get pickedNo one is going to pick you. Pick yourself.
Growing up, my dad was 'get a real job, don't go pursuing your dreams, that's how you become homeless.' So, do I pick my family or do I pick my own happiness, and how much does my own happiness depend on my family?
What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
A lot of the time I am told to clear the ball, kick it out, 'degager le ballon' they shout, but I can't do that and if I have to do that then it feels like a defeat for me. I don't know how to do it. I never get rid of the ball that way and when I am watching TV and I see players who do get rid of the ball then I don't accept it.
I've done choir since I was tiny, and I've always tried to get into plays. They all just meshed together. Now with my career, especially with music, people are like, "Which one do you pick?" I don't pick either. They're just different expressions of who I am.
We, in America, love a story - we need a story to get involved in. But then everything becomes more about how the story protects a certain perception as we pick sides.
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