A Quote by Mae West

It takes two to get one in trouble. — © Mae West
It takes two to get one in trouble.
Labor and trouble one can always get through alone, but it takes two to be glad.
I met Rosa Parks when I was 17. I met Dr. [Martin Luther] King when I was 18. These two individuals inspired me to find a way to get in the way, to get in trouble. So I got in good trouble, necessary trouble.
People misunderstand happiness. They think it's the absence of trouble. That's not happiness, that's luck. Happiness is the ability to live well alongside trouble. No two people have the same trouble, or the same way of metabolizing it. Q.E.D. - No two happy people are happy in the same way. . . . Every day brilliant people, people smarter than I, wallow in safe tragedy and pessimism, shying from what really takes guts - recognizing how much courage and labor happiness demands.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
Definitely, there's a lot of trouble you come up against when you're acting and directing, about your performance. Sometimes it's hard to be objective about it. I will tend to get two takes and walk away. I don't belabor it, and it's important to me to have someone who says, "You know what? You should get another one, and maybe you should try it like that".
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
It takes only one drink to get me drunk. The trouble is, I can't remember if it's the thirteenth or the fourteenth.
Rosa Parks inspired me to find a way to get in the way, to get in trouble... good trouble, necessary trouble.
In literature only trouble is interesting. It takes trouble to turn the great themes of life into a story: birth, love, sex, work, and death.
Look, when I got in trouble in school I got in trouble at home. Now when kids get in trouble at school, the teacher gets in trouble. So the families are important.
A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I've tried to get the overall in. I think that's more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
I was writing a story, 'The Artistic Career of Corky,' about two young men, Bertie Wooster and his friend Corky, getting into a lot of trouble, and neither of them had brains enough to get out of the trouble. I thought: Well, how can I get them out? And I thought: Suppose one of them had an omniscient valet?
Better never trouble trouble until trouble troubles you; for you only make your trouble double trouble when you do.
It takes two to write a letter as much as it takes two to make a quarrel.
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