A Quote by Magdalena Abakanowicz
My work comes from the experience of crowds, injustice, and aggression… I feel an affinity for art when it was made a form of existence, like when shamans worked in the territory between men and unknown powers… I try to bewitch the crowd.
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Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Poetry is one of the oldest of all art forms, and one of its powers for shamans and tribal leaders was the mnemonic.
I've worked in front of crowds of two hundred that sounded like a thousand, and I've worked in front of crowds of five thousand that sounded like two hundred. It really varies with the energy level with any given crowd on any given night.
To be recognized for your hard work is a true honor. An Academy Award nomination is one thing that, five years later, I can't form a sentence about. It has not made me feel like I can work any less hard. It makes me feel like I have to work 100 times as hard, to even be as remotely good, to work through an experience that could take me through that again.
There is a spell in mediaeval Art which has had power to bewitch some people into trying, or wishing to try, or fancying that they wish to try or making believe to fancy that they wish to try, to bring back the Middle Ages.
Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.
There certainly is an affinity between a person and his work, but it is not easy to define what this affinity is, and on that question many judge quite wrongly.
I think the crowds in Europe are songwriter crowds. Like, they are a fan of the words, and they're there to listen. An American crowd, they're there to get rowdy, man. And I love both.
The first measn by which He draws is affinity, that affinity which brings creatures of the same species together, and like to its like. With this cord of affinity He drew men to the Godhead, Whom He always resembles. In order that God may draw more to Himself, and forget His wrath.
I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
A work of art is a world in itself reflecting senses and emotions of the artist's world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.
As we have no immediate experience of what other men feel, we can form no idea of the manner in which they are affected, but by conceiving what we ourselves should feel in the like situation.
People said Mitt Romney had crowds, but the truth is he had one crowd, one big crowd the last day. We've had crowds for five months. I mean, from the beginning. And now they're bigger than ever before. I think it makes a big difference.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
I've made so many people angry that they kind of blur into one unpleasant memory of people staring at you with somewhere between passive aggression and active aggression.
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