A first kiss is hard to fake on screen. It's tempting to practice before you shoot, but why blow that natural awkwardness on a rehearsal? There's something so beautiful about it that can't be faked.
ID can be hijacked, and cards can be faked. All of the 9/11 terrorists had fake IDs, yet they still got on the planes. If the British national ID card can't be faked, it will be the first on the planet.
I shoot a lot of video, first of all, whatever I think is interesting, just my travels; hard to say why. If something looks good, I take a picture or try to shoot it.
It's a hard thing to do, to be given a script, and know that you've got to turn up on the first day of the shoot - generally without having had any rehearsal - and present a character. It's really baffling; it's incredibly hard to know how to begin, to approach it, other than just thinking about it.
I usually settle into a routine during the season where I shoot for about 15 or 20 minutes before and after practice, and then do the whole practice.
The best part about a first kiss is right before the first kiss.
The only award I've been nominated for is a Scottish BAFTA. A Scottish BAFTA, it's like hearing that the animals have their own Olympics. You hear all this stuff about TV being faked. Of course it's faked. It's all faked. That documentary a couple of weeks ago about tribal warfare among monkeys, that was all filmed in a Yates wine lodge in Dundee. Comic Relief is faked. Everybody in Africa is fine.
My Irish Catholic mother loved romantic movies, provided they ended with a kiss before the screen went dark. If things went any further than that, she'd complain, Why can't they leave something to the imagination? I sort of subscribe to her philosophy when it comes to writing sex.
My first on-screen kiss was lame: Nickelodeon. But my first real-life kiss was super cute and nice, but still very awkward. It was with this hot skateboarder with dreadlocks. He was my little Rasta man.
I know you've heard it a thousand times before. But it's true - hard work pays off. If you want to be good, you have to practice, practice, practice. If you don't love something, then don't do it.
There is no such thing as a natural boxer. A natural dancer has to practice hard. A natural painter has to paint all the time. Even a natural fool has to work at it.
He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.
That's the beautiful thing about my show... It's truly different every week. We get to pick and choose. Every morning, the girl from production comes to me with 100 different items, and I go, 'Fake, fake, fake, fake... that's cool.'
When I first started doing screen work, I thought, 'I'm not beautiful enough for this profession - all the actresses I watch on screen are gorgeous and beautiful goddesses, but I'm just a scrawny, scruffy girl from southwest London.'
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
Why are we working so hard to preserve Iraq, a fake country to begin with? Why do we care whether this fake country that was drawn on the map 100 years ago remains?
I find it hard to understand why Scorsese has never called. You know, given the natural menace I bring to the screen.