A Quote by Maggie Gyllenhaal
Sometimes I'll read things in the script and think, "That's not how humans behave," or "I don't understand how to do that role and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct. My initial instinct does lead me in a direction that I can trust.
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Sometimes I'll read a script and think, "That's not how humans behave," or "I don't understand how to do that and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct.
It is very hard to say where you're going until you get there. That kind of thing is based very much on instinct. As a photographer, one of the most important lessons I have learnt is that you have to learn to listen to and trust your own instinct. It has helped to guide me - this far at least.
Every GM will tell you it's an instinct. It's an instinct to be patient, to react, or act, or not to do anything at all. It just comes. What I can say is you must have a plan and a goal and a way to do things. At the end of the day, it's an instinct. Sometimes it's good. Sometimes it's bad.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
They teach you some things, but football is instinct sometimes. You just get the ball, and sometimes you dribble past three players and pass it; other times, you can shoot from far away. It's just instinct. If you feel something, just do it. I am free to do that.
I think that connection with humans is so important. Sometimes I'll do this monologue and talk to the crowd, like, 'Come on, let's really connect here.' I don't think a lot of people understand it's a two-way exchange. Some people go to a show and are like, 'Yeah, you make me feel.' That's not how it works.
I think life is instinct, and I just really go by that. That's one of the things I've learned - to always trust my instinct and it's always served me well.
I think following my instinct has proven to lead me in the right direction, and it's hard to hear sometimes, because it's a noisy world and there's a lot of people talking to you.
To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.
When humans behave murderously, such as inflicting senseless slaughter of innocents in warfare, we like to blame it on some dark, 'animalistic' instinct.
It often occurs to me that this is a strange way to make a living. But it's wonderful, too. There are many ways to read maturity, and I'm not fighting the instinct to simply enjoy that kind of nonsense. I love that someone would pay me to draw on somebody else's bottom.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?
Alec licked his spoon, then set it on the table and popped his drink open. "Okay, I may be breaking some kind of girl bonding rule or something, but can I offer you a guy's perspective on this?" I frowned, my spoon halfway to my mouth. "Is this gonna make me want to hit you?" He shrugged. "Maybe. But it's the truth. Here goes: kissing back is an instinct. Unless the girl smells like a sewer or has tentacles feeling you up independently, a guy's first instinct is to kiss back. That's how it works. What's important is how long that kissing back lasted. So...how long?
A script narration is like watching a film, and I react to it like an audience with my own instinct. After that, I look for what is my character, what will I bring to the table in that role, how challenging will it be.
I think my instinct creatively is to make things that are very funny and happy and silly. And in this moment where the world is very scary, I feel like my role is to make people laugh really hard.
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