A Quote by Maggie Gyllenhaal

Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.
The lead actress is like the host of the party, but when you're the lead actress and you're a producer, you're really throwing the party. You have so much control in making sure everyone is having a really good time and everyone is heard.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
I hate having my picture taken. Ten years ago, I stopped having a good side.
I believe that having conversations about difficult things is a part of a process and that it should happen. You don't avoid it because it's difficult. And you're not dividing more by having a respectful conversation.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
Sometimes when you walk onto a set, there are very clear delineations. The crew don't talk to the actors and I hate all that. Everyone is the same to me and I always treat everyone in the same way.
I really do feel like the work and time we spend avoiding having difficult conversations is so much more wasteful and painful and time-consuming than actually having the difficult conversation.
I was diagnosed a number of years ago with obsessive-compulsive disorder - which everyone has, to some degree - and I have this really annoying trait where in conversation, I always steer it back to something that happened to me.
It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears.
It's very difficult to have a conversation about yourself when you're the granddaughter of Audrey Hepburn, as it was difficult for me to have a conversation about something without, 'What was she like? What was she really like?'
A few weeks ago, I was at the gym, talking to a friend about politics. Overhearing the conversation, a young man - maybe 25 years old - interrupted to say, 'Obama? He hasn't done a single thing!'
It's very difficult to figure out, for me, what stops really talented young female filmmakers from having the kind of careers that their really talented young male counterparts are having.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
I'm very shy. But as a director and especially a female director, absolutely: How I used to walk on the court is how I walk on set. And I have to - I mean, I'm controlling 150, 200 people, and everything is on me.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
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