A Quote by Maggie O'Farrell
I think it's dangerous to have lots of time on your hands as a writer. Time to pursue every little alleyway, to follow every single whim. I feel I've done my best writing when I'm stretched for time, when you're most pressured.
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The first thing you have to know about writing is that it is something you must do every day - every morning or every night, whatever time it is that you have. Ideally, the time you decide on is also the time when you do your best work.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
Every time you log in to Facebook, every time you click on your News Feed, every time you Like a photo, every time you send anything via Messenger, you add another data point to the galaxy they already have regarding you and your behavior.
If I can stay healthy, then I can wrestle every single week. I want to make every single town that I can, see the whole world, feel every crowd in every arena, and pull those emotional strings. I can't explain what it feels like to be in the center stage connecting with thousands of people, but I'm having the best time doing it.
No other serial publications carry a number on them that is of any weight to their readership. The number is there to serve a function, but it has no intrinsic value in and of itself. It's comfort food and nostalgia at best. On this, we follow what you and your fellow readers do more than what you say. We hear complaints about renumbering every time we do it, but every time we do it it results in higher sales, which is the whole ballgame - so if it were your time and your effort, what would you do?
Every time you have a crisis in a country you have an extreme wing coming up and proposing solutions. The way to fight them is by doing lots of work teaching people that every time these fascist systems gained power they ended up with big tragedies - lots of blood, lots of police, and lots of misery.
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
Background checks will never stop every criminal from getting their hands on a gun and every single act of gun violence - but the evidence is clear that it's the single most effective policy to help keep guns out of dangerous hands and save lives.
I think the theater is basically the boot camp for the actor. If you can survive the rigors of an eight-show-a-week schedule and be at your best all the time, you can handle virtually everything because no other craft requires you to get it right every single time.
It's what you do every time. You isolate what you know, and you create a mental image of what you're doing. Every time you speak you don't have to think about it. Words come out of your mouth based on what you know. That's the same job every time.
I follow my heart in almost every instance, and it gets me in trouble most of the time. But I don't care. I think that's the best way I can live.
We name time when we say: every thing has its time. This means: everything which actually is, every being comes and goes at the right time and remains for a time during the time allotted to it. Every thing has its time.
Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.
It's weird - I don't feel like I'm a better or more confident writer because I'm publishing something. I think, for most writers as well, it's like reinventing the wheel every time. I have no idea what I'm doing writing a novel, and in some ways, it's the only way to do it.
Every time I see you, I feel like I'm waiting for the other shoe to fall. I feel uncomfortable every time I see you, and every time we talk, my throat tickles.
Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
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