A Quote by Maggie O'Farrell

When I worked at The Independent newspaper, I had colleagues who would laugh and say that whenever they picked up the phone to my dad and heard his accent, they thought they were about to hear a five-minute warning to get out the building. People in Britain have always thought it acceptable to make racist remarks about the Irish. The prejudice underlying that supposed joke was everywhere.
When the kids were growing up, I think they thought the worst thing about me being a mom is that I would laugh at them. They would say something that they thought was serious and intense and I would laugh. I thought it was funny, but they don't want to be laughed at.
It was scary. But it was so liberating. I thought, This is not predetermined - I get to choose. There are some days where I have to choose five times in a day. I had to make a choice when you called and the phone rang, whether I'm going to show up and be me, or whether I'm going to say what I think I'm supposed to say and get off the phone.
I had big teeth, and I was goofy. I probably used to mess with people too much. People were always trying to be cool, and I was just being goofy and an idiot. So whenever I would get picked on - which happened a lot - I would usually find a way to talk my way out of it or joke my way out of it.
My dad was always there, even though he wasn't living in our house. He was always on the phone, always just a car ride away. Whenever he had a new recording, we would be the first to get the acetate. And it would say, in Dad's handwriting, 'Play it loud.'
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
I can very much look into the camera and say, 'I believe Donald Trump is a racist.' You don't get to make textbook racist remarks for a year and not be a racist. You don't get to make textbook sexist remarks for a year and not be a misogynist.
I started to make a joke that I had an imaginary friend underneath the let-out couch named Binky. I would never talk to him; I would only use him as entertainment for other people. I knew they thought that children had imaginary friends, so I was like, "I don't really believe in imaginary friends, but I want to feel like I do." I used to make a joke, "My imaginary friend Binky says this," because I knew it would get a laugh out of them.
When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
I always heard my dad talk about playing music right through till the end. He may have talked in the early 90s about how he was ready to get off the road. But retirement, for my dad wasn't part of his make-up.
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
I've always been a fan of comedy. I've always enjoyed it. It's something I'm very passionate about; it's like lifeblood to me. I had to pursue it. I thought I had a little bit of talent, and if I could make a living at it, I would do it. It's worked out so far.
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke.
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke
I thought, This is fabulous. It sent shivers up my spine. I thought, What kinds of people are these that would produce this kind of music in a camp? All the prison camp stories I've seen, and heard of, were about the heroism of men. As I researched this and heard the music, I realized that women were heroic too, on just as grand a scale. And their treatment was just as appalling.
The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
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