A Quote by Maggie Rogers

Lyrically, I've always thought about albums as a record of a period of time. — © Maggie Rogers
Lyrically, I've always thought about albums as a record of a period of time.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
The idea of the duets albums was the people who joined Frank Sinatra in each song were themselves successful record artists, I never was. I felt a certain apprehension at the time that some people thought my being there was pure nepotism. I felt kind of out of place about that.
The period of time between when you're done with a record and when you start touring is the worst period of a time in a musician's life.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
I thought I would be governor of Massachusetts. I stood on a pile of my old albums and said, 'I'm the only one with a record to stand on.'
Lyrically and thematically, the title 'Doctor Faith', that song is about therapy, psychotherapy, and that song is about emotions and personal insight. I think all the songs on the record sort of go along with that.
The industry has changed in that it is far more disposable than it used to be. When Boyzone came out, we were given a shot and the patience to record our singles and albums. Nowadays, the thought is if it is not working, then the artist will be dropped. The record companies will bail on the artists, and I find that sad.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Albums aren't even selling anymore and there's a reason for that. Record companies are just signing single and ring tone deals and it doesn't seem like they're focusing on albums.
Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.
I don't go to record stores to look at my albums, but it's always a thrill to see them.
One of the things that always fascinated me about the Renaissance was that it was a time both of great scientific discovery and also of superstition and belief in magic. And so it was a period in which Galileo invented the telescope, but also a time when hundreds were burned at the stake because people thought they were witches.
This record for the first time - feels like a record that really represents my whole entire life and instead of just a period of my life. And it is really kind of eye opening and it makes me feel really good to hear this record and hear all the years.
I have been around for a long, long time. I didn't make it 'til I was older. I went through the period when women were not getting signed, particularly if you were writing songs that were lyrically propelled.
My goal every time I make a record is just to make the funkiest, the best music I could possibly make, both lyrically, and music-wise.
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