A Quote by Maggie Shayne
It was because a great-looking man with no apparent mental defects found her attractive. Imagine feeling so buoyant over something so juvenile.
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If you stand over on the edge of the west coast of Ireland and look west, you are looking at something you can't see, only imagine. You know America is there, and you can imagine it being there. But you're also looking into infinity, because you can see nothing.
Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.
The only sin is limitation. As soon as you once come up with a man's limitations, it is all over with him. Has he talents? has heenterprise? has he knowledge? It boots not. Infinitely alluring and attractive was he to you yesterday, a great hope, a sea to swim in; now, you have found his shores, found it a pond, and you care not if you never see it again.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. .... For the man an attractive girl - and for the woman an attractive man - are the prizes they are after. 'attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. ... Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values.
'Solja Rag' was designed for Juvenile. It wasn't one of them beats where I was gonna chop it and see who I was going give it to: it was Juvenile all over it.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
This morning, as Charlotte approached the brick facade of Hartnett, she found herself overcome with a great sense of dread. It hit her with a strange and sudden force, and she had an overwhelming urge to turn back, get into bed and not go out for about three weeks. She stopped in her tracks. The feeling itself was alarming to Charlotte - was she sensing something? Something dangerous? And was it something supernatural or just middle school? Sometimes it was hard to tell the difference.
I've been pretty damn happy since 2001. More apparent danger than real danger for me, and even the apparent danger hasn't kept me from feeling warm, safe and loved. I've found love and a partner to raise three children that I'm glad to have brought into this beautiful world.
Bad luck with women is a determined man's road to success. For every affliction, he makes, out of indignation, yet another advancement in order to exceed the man that the woman chose over him. This goes to show that great men are made great because they once learned how to fight the feeling of rejection.
I think there's something so attractive about mystery. There's something so attractive about the chase. And the bad guy ... bad boys know how to keep the chase going throughout an entire relationship because you never know if you completely have them or not. That's why they're so hard to get over.
Don't pass up something that's attractive today because you think you will find something way more attractive tomorrow.
I remember being disappointed when Papa had shown me Caravaggio's Judith. She was completely passive while she was sawing through a man's neck. Caravaggio gave all the feeling to the man. Apparently, he couldn't imagine a woman to have a single thought. I wanted to paint her thoughts, if such a thing were possible - determination and concentration and belief in the absolute necessity of the act. The fate of her people resting on her shoulders.
I'm over smoking. You know, I feel like I've gone on long hikes and gotten to the top of the mountain and I'm looking at something beautiful, some great huge landscape, and there's some of the cleanest air that's on the planet. And then I light up, and say, "Ahh, what a great smoking moment this is!" So it's something evil that's taken over, and I want control over it.
Begin to imagine what the desirable outcome would be like. Go over these mental pictures and delineate details and refinements. Play them over and over to yourself.
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