A Quote by Maggie Siff

A day on a film set is maddening. — © Maggie Siff
A day on a film set is maddening.

Quote Topics

but they had also settled into the maddening familiarity of friendship; maddening for her at least.
It's a maddening thing in itself to look at an old poem of yours. To translate it is even more maddening.
[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
When you go to a film set, of course you're going to do your job, and you're excited about being there, but you somehow feel fatigued that you are just doing this day in and day out.
On Darjeeling, I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On Moonrise Kingdom, I showed up for one day.
On 'Darjeeling,' I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On 'Moonrise Kingdom,' I showed up for one day.
I get quite fed up being on a film set day after day, six days a week. It can get to be a grind.
Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.
I probably learned, being in 'Taxi Driver' before I made my first film, I would come to the set every day just to watch how that film came about. It's like a graduate course: it's terrific. You talk to the cinematographer during the breaks. You ask the electrician why they are doing this.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
I'll say initially acting was my first love, and that's what I pursued. But then, so far as even my first day on a film set, and just watching how things were set up, I just said, 'I think I want to be in charge.' I am very much type-A. I am a bit of a control freak.
Usually, when making a film, the surprises are negative surprises. You don't get what you wanted or what you hoped for. The only nice surprises are those that are offered to you by actors when they offer you these gifts, when they are better and give you more than what you had originally conceived. That doesn't happen every day on set, but if it happens a couple of times in the course of making a film, you can consider yourself very lucky.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
This site uses cookies to ensure you get the best experience. More info...
Got it!