A Quote by Maggie Smith

I think everybody who was in it thought they were all going to be Eartha Kitt or be big stars. That didn't happen, but it was a wake-up call to have one's first professional job on Broadway, I must say.
I do not have an act. I just do Eartha Kitt... I want to be whoever Eartha Kitt is until the gods take me wherever they take me.
Eartha Mae is very shy. She's scared to be seen, scared of rejection and even afraid of affection. Relationships can be rather uncomfortable for her. But, as Eartha Kitt, it's fine. I can accept and reject any time I want to. Do I ever reject? Not really. Although people think I do!
I thought I sounded a little like Eartha Kitt for a long time, and I didn't like it.
I wouldn't bother to describe me. I'm Eartha Kitt.
But the reason I call myself by my childhood name is to remind myself that a scientist must also be absolutely like a child. If he sees a thing, he must say that he sees it, whether it was what he thought he was going to see or not. See first, think later, then test. But always see first. Otherwise you will only see what you were expecting.
I remember the first time that my Nana introduced me to Eartha Kitt. Seeing a fierce Black woman on screen being unapologetically confident - just her essence that she had was so captivating.
I felt like Eartha Kitt. I'm serving fish, honey, and this ain't trout.
A lot of times, when young guys come up, you think you don't have to work as hard because the talent is going to get you as far as you need to go. But as you get older, it's not that way. An injury is really a wake-up call and a slap in the face that maybe you were slacking a bit, and don't let it happen again.
I would have loved to paint Eartha Kitt, but she's no longer here. I'm so glad I had the chance to meet her.
'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
I've always been multi-cultural myself. I'm not black and I'm not white and I'm not pink and I'm not green. Eartha Kitt has no color, and that is how barriers are broken.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
Some acts are tricky. Eartha Kitt was tricky in a wonderful, old-style way. She did yoga on the piano and put her hands over her ears when the other acts were on.
I didn't wake up one day and think, 'I'm not going to have children.' My mother was a housewife and brought up three children, so I just thought it would happen.
I think when you are an aspiring writer, you must write every day. It's not as though anybody will call you up on the phone and say, "I understand you are a very promising, aspiring writer and I'm going to give you this assignment." You have to create it yourself or it's never going to happen.
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