A Quote by Maggie Stiefvater
There's a metaphor for the American public in here," Gansey murmered darkly, "but it escapes me at the moment.
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Gansey threw open his door. Gripping the roof of the car, he slid himself out. Even that gesture, Ronan noted, was wild-Gansey, Gansey-on-fire. Like he pulled himself from the car because ordinary climbing out was too slow. This was going to be a night.
She breathed. "This is lovely." It was for Adam, not Gansey, but she saw Gansey glance over his shoulder at her.
I'm having a psychic moment. It involves you and me." Distracted, Gansey glanced up from the computer screen. "Were you talking to me or Ronan?" "Either. I'm flexible." Blue made a small, terrible noise. "I would appreciate if you'd turn your inner eye towards the water.
When Ronan thought of Gansey, he thought of moving into Monmouth Manufacturing, of nights spent in companionable insomnia, of a summer searching for a king, of Gansey asking the Gray Man for his life. Brothers.
At one store, Gansey had started to pay for Blue's potato chips and she'd snatched them away. "I don't want you to buy me food!" Blue said. "If you pay for it, then it's like I'm... be---be---" "Beholden to me?" Gansey suggested pleasantly. "Don't put words into my mouth." "It was your word." "You assumed it was my word. You can't just go around assuming." "But that is what you meant, isn't it?" She scowled. "I'm done with this conversation.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
Gansey turned the key. The engine turned over once, paused for the briefest of moments - and then roared to deafening life. The Camaro lived to fight another day. The radio was even working, playing the Stevie Nicks song that always sounded to Gansey like it was about a one-winged dove.
If I am traitor, who did I betray? I gave all my information to the American public, to American journalists who are reporting on American issues. If they see that as treason, I think people really need to consider who they think they're working for. The public is supposed to be their boss, not their enemy.
I think the public library system is one of the most amazing American institutions. Free for everybody. If you ever get the blues about the status of American culture there are still more public libraries than there are McDonald's. During the worst of the Depression not one public library closed their doors.
The election moment is merely the American public saying, "We'd rather you be President than that guy." That's it.
I think the industry finally gets it. They've lost the connection with the American public, and they've got to rebuild the trust with the American public.
Calla readjusted, wrapping the silk around her other thigh instead. "Which one's he again? The pretty one?" Blue and Gansey exchanged a look. Blue's look said, I'm so, so sorry. Gansey's said, Am I the pretty one?
Blue." It was Ronan's voice, for the first time, and everyone, even Helen, twisted their head towards him. His head was cocked in a way that Gansey recognized as dangerous. Something in his eyes was sharp as he stared at Blue. He asked, "Do you know Gansey?" ... Blue looked defensive under their stares. She said reluctantly. "Only his name." With his fingers loosely together, elbows on his knees, Ronan leaned forward across Adam to be closer to Blue. He could be unbelievably threatening. "And how is it," he asked," you came to know Gansey's name?
And I think that every American - this is an all-hands-on-deck moment for America. And I think it is good and important that every American is informed, understands the issues and whether I agree with them or not, comes into the public forum and we hear from them.
From the moment I leave my house or my hotel room, the public owns me. The public made Alice Cooper and I can't imagine ever turning my back on my fans.
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That's a metaphor for the acquisition of knowledge. When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water. We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
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