A Quote by Maggie Stiefvater
You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see.
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"That's a poor match, Sean Kendrick," says a voice at my elbow. It's the other sister from Fathom & Sons, and she follows my gaze to Puck. "Neither of you are a housewife." I don't look away from Puck. "I think you assume too much, Dory Maud." "You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see."
She did nothing to try to control the shakes that rattled her body,and didn't attempt to stop herself from crying. Tears left both of her eyes at the far corners,slipping out and flowing over her temples.Some landed in her ears. Some eased down her neck and were absorbed by the pillow.Others clouded her vision,as if they didn't want to leave home.
They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
One day, lad, your eyes will light upon a woman, and you will never forget that glint in her eye, that toss of her head, or sway of her hips. You will dream of her, whether you are asleep of awake. She will possess your mind, and your body will be on fire for her. Nothing will ever erase the linger of her scent in your nostrils, the touch of her hand on your body, the feel of her flesh beneath your fingers. When you find a woman to love, Cnut, your life changes forever.
You could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.
Nature! We are surrounded by her and locked in her clasp: powerless to leave her, and powerless to come closer to her. Unasked and unwarned she takes us up into the whirl of her dance, and hurries on with us till we are weary and fall from her arms.
Only her tight, tight eyes were left. They were always left...They were everything. Everything was there, in them...Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would see only what there was to see: the eyes of other people.
Seeing her this last time, I threw myself on her body. And she opened her eyes slowly. I was not scared. I knew she could see me and what she had finally done. So i shut her eyes with my fingers and told her with my heart: I cah see the truth, too. I am strong, too.
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
It'll be impossible to protect Brittany for the rest of her life from all the other guys who want to be near her, to see her as I've seen her. Touch her as I've touch her. Man, I never want to let her go.
Arya, What are you doing?" "Syrio says a water dancer can stand on one toe for hours." Her hands flailed at the air to steady herself. Ned had to smile. "Which toe?" he teased. "ANY toe," Arya said, exasperated with the question. She hopped from her right leg to her left, swaying dangerously before she regained her balance. "Must you do your standing here?" he asked. "It's a long hard fall down these steps." "Syrio says a water dancer NEVER falls.
I treat myself like I would my daughter. I brusher her hair, was her laundry, tuck her in goodnight. Most importantly, I feed her. I do not punish her. I do not berate her, leave tears staining her face. I do not leave her alone. I know she deserves more. I know I deserve more.
Although my father's mother, Nancy, has dementia, and her experiences gave me ideas for some of the scenes in the book, it was my mother's mother, Vera, who most influenced the character of Maud. Vera died in 2008, before I'd gotten very far into writing 'Elizabeth Is Missing,' but her voice is very like Maud's.
I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.
So what are you really wearing?" The words left her mouth before she could consider them. She winced. He didn't seem to mind; in fact, he flashed her one of his brief smiles. "And if I said nothing at all?" "Then I would point out that sometimes, if you look at something out of the corner of your eye, you can see right through glamour," she returned. That brought surprised laughter. "What a relief to us both then that I am actually wearing exactly what you saw me in this afternoon. Although one might point out that in that outfit, your last concern should be my modesty.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
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