A Quote by Maggie Stiefvater

There doesn't seem like there should be an artful way to butcher a cow, but there is, and this is not it. — © Maggie Stiefvater
There doesn't seem like there should be an artful way to butcher a cow, but there is, and this is not it.
When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.
When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you would with a photo-realistic piece.
One thing I think is interesting is the Jedi in the prequels are supposed to be peacekeepers, and certainly had a very artful way of making war. They had an artful way of defending themselves and inciting violence, really. You find that the Jedi who survived all of that had a much more simpler way of going about things.
When a cow lives with the butcher, sooner or later he gets eaten unless he helps the other cows off to their slaughter. (Nick)
Healing for me is being able to sit next to the butcher and say 'Yes, I’m sitting next to the butcher now,' instead of saying 'there is no butcher'.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
I went through the fields, and sat for an hour afraid to pass a cow. The cow looked at me, and I looked at the cow, and whenever I stirred the cow gave over eating.
A dead cow or sheep lying in a pasture is recognized as carrion. The same sort of a carcass dressed and hung up in a butcher's stall passes as food.
When I'm traveling to promote my book, I feel like an artful impostor. What I really am is when I'm in my (painter's) studio and when I'm writing. With actors, it's the same thing. They're kind of artful impostors in public. When you get to know them, they're different people.
Governments are different, and philosophies are different, but when it comes down to it, a schoolteacher is a schoolteacher is a schoolteacher. A butcher is a butcher is a butcher. We are people. And we are far more common than we ever imagine.
I hadn't yet realised that learning to be a staff officer is something like learning to milk a cow. The novelty soon wears off, and the job becomes burdensome, and smelly. As a boy I learned the hard way that if you demonstrated skill at milking a cow, somebody would keep you milking one. It's the same way being a good staff officer.
A statesman's words, like butcher's meat, should be well weighed.
I'm saying that the leaders of the church have locked the sacred cow called science in the stable and they won't let anybody enter; they should open it immediately so that we can milk that cow in the name of humanity and thus find the truth.
The only way Hinduism can convert the whole world to cow-protection is by giving an object-lesson in cow-protection and all it means.
Saddam Hussein also challenged President Bush to a debate. The Butcher of Baghdad vs. the Butcher of the English language.
There is nothing like literature: I lose a cow, I write about her death, and my writing pays me enough to buy another cow.
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