A Quote by Maggie Stiefvater
The walls of the arch are covered with blood-red jellies that wink and glisten at me by the light of the moon. My father told me they were completely harmless. I don't believe him. Nothing is completely harmless.
Related Quotes
Perhaps the image you have of the devil is a cartoon of a man in a red suit with horns a pointy tale and a pitch fork, Satan would love for you to think of him as a harmless cartoon character, but don't be fooled... Satan is anything but harmless.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
I'm sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn't be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
But I, for one, am not interested in a harmless truth or a harmless God. Give me a truth that works, and a God who makes me tremble.
The liberty of using harmless pleasure will not be disputed; but it is still to be examined what pleasures are harmless.
You said, 'They’re harmless dreamers and they’re loved by the people.' 'What,' I asked you, 'is harmless about a dreamer, and what,' I asked you, 'is harmless about the love of the people? Revolution only needs good dreamers who remember their dreams.
He’s harmless, poor thing. That’s what everyone said. It was true, but who cares? Lots of people are harmless, but that doesn’t mean I have to like them.
My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.
The worst was relizing that I’d lost him for nothing because he’d been rght about all of it-- vampires, my parents, everything. He’d told me my parents lied. I yelled at him for it. He forgave me. He told me vampires were killers. I told him they weren’t, even after one stalked Raquel. He told me Charity was dangerous. I didn’t listen, and she killed Courtney. He told me vampires were treacherous, and did I get the message? Not until my illusions had been destroyed by my parents’ confession.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
Everybody should espouse three or four harmless crank theories for the pure pleasure of having something harmless to be cranky about. And when a theory of this sort proves correct, it is a true moment for celebration.
My father has a way of persuading people without charm that has always confused me. He states his opinions as if they’re facts, and somehow his complete lack of doubt makes you believe him. That quality frightens me now, because I know what he told me: that I was broken, that I was worthless, that I was nothing. How many of those things did he make me believe?
If the powers that be really knew how much time I spent thinking about and researching celebrities, they probably wouldn't let me anywhere near the red carpet. But, please promise not to tell them. I'm harmless, I swear.
That's a part of human nature that men and women, women and women, whatever your sexuality, you flirt with each other and it's completely harmless and it doesn't really mean it crosses a line... You can tell where it is.
Writing is too hard not to do exactly what you want to do. It's a very draining and agonizing process for me, and I don't want to live with any piece of work that I don't believe in completely. I have to believe completely in what I'm doing. It has grown organically out of my own experience.
It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.
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