A Quote by Maggie Stiefvater

Eleanor's voice was below zero. 'My finest horse to whichever faerie in this room brings me that woman's left eye.' My thoughts exactly. — © Maggie Stiefvater
Eleanor's voice was below zero. 'My finest horse to whichever faerie in this room brings me that woman's left eye.' My thoughts exactly.
Constant travel brings old age upon a man; a horse becomes old by being constantly tied up; lack of sexual contact with her husband brings old age upon a woman; and garments become old through being left in the sun.
Perhaps all women are part faerie, for what woman can deny her faerie blood when the portals to her own land are open; when the full moon sings its insistent song; when sorrow and passion and rage pulse through her body at moon times. This is why women are the chosen ones of Faerie, pat of the vibrant, fluid, emotional soul of the world.
I don't mind when my horse is left at the post. I don't mind when my horse comes up to me in the stands and asks, "Which way do I go?" But when the horse I bet on is at the $2 window betting on another horse in the same race...
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
On the news two dozen events of fantastically different importance are announced in exactly the same tone of voice. The voice doesn't discriminate between a divorce, a horse race, a war in the Middle East.
John Lane has long been recognized as one of the South's finest poets and memoirists. This debut establishes him as one of our finest novelists as well. His poet's eye for detail seamlessly merges with a born storyteller's gift for narrative. Fate Moreland's Widow gives voice to those who endured one of the most painful and neglected chapters in American history.
Well, in Washington, this is a very hard time for Eleanor and Franklin. This is when Lucy Mercer first appears. And Lucy Mercer is Eleanor Roosevelt's own secretary. Very beautiful young woman, not unlike Eleanor Roosevelt: tall, blonde, thick haired. And FDR is having an affair with her, which Eleanor Roosevelt finds out when FDR returns from Europe in 1918 with the famous flu of 1918.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
A woman questions the man who loves exactly as a judge questions a criminal. This being so, a flash of the eye, a mere word, an inflection of the voice or a moment's hesitation suffice to expose the fact, betrayal or crime he is attempting to conceal.
I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.
It is the eye of the master that fatteth the horse, and the love of the woman that maketh the man.
People choose whatever projects they've seen that I've done over the years, and whichever one is their favorite is the only one they care about. But I realized that none of those were my voice or representative of what my thoughts and feelings were.
I am not a poor child, Lady Eleanor," Madelyne announced, letting her anger sound in her voice. "Duncan won't marry you. He won't sign the contracts. He'd have to give up his greatest treasure in order to marry you." "And what be that treasure?" Lady Eleanor inquired, her voice mild. "Why, I'm Duncan's greatest treasure. He'd be a fool to give me up," she added. "And even you must know that Duncan is anything but a fool.
This one isn’t just any old horse. There’s a nobility in his eye, a regal serenity about him. Does he not personify all that men try to be and never can be? I tell you, my friend, there’s divinity in a horse, and specially in a horse like this. God got it right the day he created them. And to find a horse like this in the middle of this filthy abomination of a war, is for me like finding a butterfly on a dung heap. We don’t belong in the same universe as a creature like this.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
The horse must perform from joy, not subservience. Praising a horse frequently with voice, a gentle pat, or relaxing the reins is very important to keep the horse interested and willing.
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