A Quote by Maggie Stiefvater
I was suddenly overwhelmed by what an incredible person this boy was, standing in front of me, and by the fact that he was mine and I was his.
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I was suddenly overwhelmed by what an incredible person this boy was, standing in front of me, and by the fact that he was mine and I was his. "Right now," Sam said - and I saw that he held the invoice for today's studio time in his hand, folded into a bird with sun-washed wings - "it's hard to imagine that it is raining anewhere in the world." "From Linger, page 258
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
I was suddenly very aware of the fact it was me standing up in that tunnel with the wind over my face. Not caring if I saw downtown. Not even thinking about it. Because I was standing in the tunnel. And I was really there. And that was enough to make me feel infinite.
A person standing in front of an audience without enthusiasm for his subject and his actions is disconnected from his spirit.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
I cannot take away the fact I am a small-town boy from India, from a lower-middle class family, and was actually standing in front of De Niro - not on an equal level, but as an actor, on the same pedestal.
Los Angeles is an uncanny place to live. It has many science fiction qualities. For example, when I'm standing in line at the supermarket and I recognise the person in front of me, but I can't figure out how I know them. Suddenly, I realise I saw them in some random commercial six years ago.
I want you." Feeling the grip of his hand in mine, the brush of skin on mine, seeing the way he moved in front of me, equal parts human and wolf, and remembering his smell - I ached with wanting to kiss him.
The commercial flight thing, it just gets a little weird when you're standing in line and suddenly you're not just a guy standing in line anymore - you become sort of 'novelty boy.'
When I was younger, I was diagnosed with dyslexia, which meant, for me, sitting in front of a book was really hard - until I discovered Harry Potter, and this character, this 11-year-old boy, who suddenly gets off to school for the first time, captured my imagination, and suddenly reading was fun. Reading was inspiring, and I was motivated.
Day just smiles at me, an expression so sad that it breaks through my numbness, and I begin to cry. Those bright blue eyes. Before me is the boy who has bandaged my wounds on the streets of Lake, who has guarded his family with every bone in his body, who has stayed by my side in spite of everything, the boy of light and laughter and life, of grief and fury and passion, the boy whose fate is intertwined with mine, forever and always. "I love you," he whispers. "Can you stay awhile?
Whether it's standing backstage with Jennifer Lopez in a dress that I know everyone will be talking about tomorrow... or being there when incredible news breaks, and instead where people sit in front of their TVs and look at it, I'm the person who goes there to bring you the story... It's amazing. It's unbelievable.
The realization that my problem was one that concerned all men, a problem of living and thinking, suddenly swept over me and I was overwhelmed by fear and respect as I suddenly saw and felt how deeply my own personal life and opinions were immersed in the eternal stream of great ideas. Though it offered some confirmation and gratification, the realization was not really a joyful one. It was hard and had a harsh taste because it implied responsibility and no longer being allowed to be a child; it meant standing on one’s own feet.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
An accent like mine and a face like mine, I think a lot of the time it's easy for casting directors to just stick me in as a bad boy, but 'Being Human' took a risk on me - bless 'em - and I'm not that bad boy no more.
He pauses when he finishes undoing the last button, then closes his eyes. I can see the pain slashed across his face, and the sight tears at me. The Republic's most wanted criminal is just a boy, sitting before me, suddenly vulnerable, laying all his weaknesses out for me to see.
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