A Quote by Maggie Stiefvater
There's a tap on the door then. We all exchange looks, Tommy Falk's as uncertain as the rest of ours. No one moves, so I finally wipe my hands off on my pants, go to the door, and open it a crack. Sean stands on the other side, one hand in his trouser pocket, the other holding a loaf of bread. I wasn't prepared for it to be Sean, so my stomach does a neat little trick that feels like either hunger or escaping.
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I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?
Do the work and then let the rest speak for itself and know that it feels personal, I knew it for me when I was younger. It all feels so personal, but if it's for you, it's for you. And if it's not, that's okay because the other door will open. The right door will open.
He grabbed for the coatrack that stood by the door, ripped the coats off it, and flung the door wide, the rack held above his head like a javelin. On the other side of the door was Jace. He blinked. "Is that a coatrack?
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
Sean reaches between us and slides a thin bracelet of red ribbons over my free hand. Lifting my arm, he presses his lips against the inside of my wrist. I'm utterly still; I feel my pulse tap several times against his lips, and then he releases my hand. "For luck," he says. He takes Dove's lead from me. "Sean," I say, and he turns. I take his chin and kiss his lips, hard. I'm reminded, all of a sudden, of that first day on the beach, when I pulled his head from the water. "For luck," I say to his startled face.
There is something very shocking about seeing him standing dark and still on our doorstep. I lean the door a ways. The night's getting chilly. "You got away from the yard." "Is it still all right?" "It's all right. It's me and Gabe and Finn and Tommy Falk." "I've brought this." He holds up the bread, which is clearly a Palson's loaf, and it's still so fresh that I can smell the warmth of it. He must've come straight from there.
I spoke to Sean Hannity, which everybody refuses to call Sean Hannity. I had numerous conversations with Sean Hannity at Fox. And Sean Hannity said - and he called me the other day - and I spoke to him about [war in Iraq] - he said you were totally against the war, because he was for the war.
Some drivers have already got out of their cars, prepared to push the stranded vehicle to a spot where it will not hold up the traffic, they beat furiously on the closed windows, the man inside turns his head in their direction, first to one side then to the other, he is clearly shouting something, to judge by the movements of his mouth he appears to be repeating some words, no one word but three, as turns out to be the case when someone finally manages to open the door, I am blind.
They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, I mean you and Sean Kendrick. And by burning, I mean burning.
Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.
If on the other hand he went to pay his respects to The Door and it wasn't there . . . what then? The answer, of course, was very simple. He had a whole board of circuits for dealing with exactly this problem, in fact this was the very heart of his function. He would continue to believe in it whatever the facts turned out to be, what else was the meaning of Belief? The Door would still be there, even if the Door was not.
You may not realize initially how many other opportunities are wrapped up inside the first one. After you go through the first door, you'll then discover more doors automatically opening behind that one. One door leads you to another door, which leads to another door, and so one. It's like ten other boxes packed inside one box. The initial door that God opens is your access to more opportunities. But you must be willing to walk through the first one to get to the other good things God has for you.
I'll take you to Mickey D's," said Sean. "I'll buy you a hamburger." Annie was not thrilled. Sean's offer did not compare to offers made in other centuries. "And fries," Sean said. "And a vanilla milkshake." Annie remained unthrilled. "Okay, okay. You can have a Big Mac." Romance in my century, she thought, is pitiful.
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
I want to show the world that you do have some artists that are ready to go to the next level, and instead of being selfish with their career they'll open up the door to other people. I'm in a position to open up the door to help other people do what I do.
Sean takes my ponytail in his hand, his fingers touching my neck, and then he tucks my hair into my collar out of the reach of the wind. He avoids my gaze. Then he links his arm back around me and pushes his calf into Corr's side.
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