A Quote by Maggie Stiefvater

When you traffic in monsters, that's the risk you run, that you'll find one too monstrous to stomach. — © Maggie Stiefvater
When you traffic in monsters, that's the risk you run, that you'll find one too monstrous to stomach.
People like to invent monsters and monstrosities. Then they seem less monstrous themselves. When they get blind-drunk, cheat, steal, beat their wives, starve an old woman, when they kill a trapped fox with an axe or riddle the last existing unicorn with arrows, they like to think that the Bane entering cottages at daybreak is more monstrous than they are. They feel better then. They find it easier to live.
People like to invent monsters and monstrosities. Then they seem less monstrous themselves... they feel better then. They find it easier to live.
Myself, I suffer from loneliness. And I think we all feel alone. I'm looking for stories that help people deal with loneliness and help them if they are monsters: they don't have to undertake monstrous actions. And maybe they're not monsters.
If we are too friendly to nice, decent bishops, we run the risk of buying into the fiction that there's something virtuous about believing things because of faith rather than because of evidence. We run the risk of betraying scientific enlightenment.
Alas, you don't need monsters for monstrous deeds to be accomplished.
The monsters of our childhood do not fade away, neither are they ever wholly monstrous.
People who commit monstrous crimes are not necessarily monsters. If they were, things would be easy. But they aren't and it is one of the experiences of life.
No, I'm too tired to run, and you're too fast. You'd only catch me." "That's right, luv." Softly, but with unyielding resonance. "if you run from me, I'll chase you. And I'll find you. Bones said.
I find that the monsters are usually the people that I have the most empathy for because they're the ones that are hurt the most. There's a reason why they're the monsters.
To laugh is to risk appearing a fool, to weep is to risk appearing too sentimental, to reach out for another is to risk involvement, and to expose feelings is to risk exposing one's true self.
You run the risk, whenever you build your story around a central mystery, of either letting it go too long, or revealing it too soon and then taking the wind out of the sails of the narrative.
With the socialization of the health care system through institutions such as Medicaid and Medicare and the regulation of the insurance industry (by restricting an insurer’s right of refusal: to exclude any individual risk as uninsurable, and discriminate freely, according to actuarial methods, between different group risks) a monstrous machinery of wealth and income redistribution at the expense of responsible individuals and low-risk groups in favor of irresponsible actors and high-risk groups has been put in motion.
Symbiosis can fail in various different ways: if there's too much stomach bacteria in my stomach, I might have some problems. If there's too little, I might have some problems. There's a sort of dynamic system there.
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
Hollywood is famous for breeding monsters, and having worked in the business, I've known a lot of them. But only intermittently have I ever found them monstrous. They have many other qualities.
I think the fascination with zombies is that they don't obey the rules of monsters. The first rule of monsters is that you have to go find them. You have to make a conscious choice to go to the swamp or the desert or the abandoned summer camp.
This site uses cookies to ensure you get the best experience. More info...
Got it!