A Quote by Maggie Stiefvater

When I was a child, I was one of the kids who wore black all the time, and when the kids asked me why I wore black, I said things like, 'I'm mourning the death of modern society.' I mean, I was a riot.
I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
When I was fourteen, I was one of those kids who wore all black because it matched everything. Seriously.
I realize that I'm black, but I like to be viewed as a person, and that's everybody's wish... I try to be a role model for black kids, white kids, yellow kids, green kids. This is what I felt was good about my personality.
My dad, who was creative director in the '60s, always wore black jeans with black desert boots; he thought he was cool. He told me to buy a pair as well. I didn't like black, so I got the sand color, and I've been wearing them since college.
I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.
When asked, "Why do you always wear black?", he said, "I am mourning for my life.
One day. my kids are gonna be like, 'What do you mean, gay people couldn't get married?' Just like most of my friends are black, and I find it hard to believe that my great-grandmother and even my grandmother couldn't hang out with black kids when they were young.
I've always seen My Chemical Romance as the band that would have represented who me and my friends were in high school, and the band that we didn't have to represent us - the kids that wore black - back then.
I would sit at the table with the black kids during lunch, and we'd do our banter back and forth. But occasionally, I'd get up and I'd go sit down with the white kids and chat with them and what not. Of course, because I come from the black table they would look at me like, 'Why are you here?'
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
Kids that I went to school with didn't know how to interact with black people like that. There were only, like, three or four black kids in the class.
I want to be a great role model to let the kids, especially black kids, that it's possible to make it in this sport. I think we, as a black community, quit playing the game because we think it's a white man's sport. Or we think that since other black people don't play it, so why should I play it.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
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