A Quote by Magnus Larsson
I started off in journalism 16 years ago in Stockholm, and I wrote for a few different publications for many years. I've also worked in advertising as a copywriter and creative director, but I changed it for architecture at 25 years old.
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Advertising seemed almost natural to me because it was a business where you had to inform, persuade and educate. And so from being a junior copywriter to being the creative director of one of the largest advertising agencies in the country took me 4.5 years, which is, well, a fairly spectacular rise.
I left home when I was 16 years old, and I've been living all around the world honing my craft. I lived in L.A. for eight years, then Stockholm, London, and New York.
I believe very strongly, and have fought since many years ago - at least over 30 years ago - to get architecture not just within schools, but architecture talked about under history, geography, science, technology, art.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.
It would be easier to say, what was the difference in style from many years ago. Many years ago, the old violinists, they also had a good technique, they were not tonally as good.
Brad Wright, who created Grant MacLaren, had me in mind. We'd actually worked together 20 years ago. He wrote an episode of The Outer Limits that I was in in '96 or '95? So we'd been aware of each other for years. I'd lived in Vancouver off and on, where he's based. And it just came to me, and I'm always looking for something different. Perception was a different show than Will & Grace.
Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
I want to become a superstar, but for that, I first have to be a super actorThe word 'superstar' these
days is used for anybody who delivers a Friday hit. Amitabh Bachchan and the Khans have worked for
many years. They have also given back to society. I am just 14 films and six years old in the industry.
I know I'll achieve it in a few years from now and I'm arrogant enough to say that,but now isn't the time.
How has the world of the child changed in the last 150 years?" The answer is. "It's hard to imagine any way in which it hasn't changed.They're immersed in all kinds of stuff that was unheard of 150 years ago, and yet if you look at schools today versus 100 years ago, they are more similar than dissimilar.
When I was Cedrick Von Haussen, the champion of Liechtenstein, I was only 18 years old. I was super, duper young. I started traveling around for wrestling when I was 16, so I had only been wrestling a few years at that point.
I love acting, but directing and writing have always been just as important. I started to write so many things when I was even a child. I wrote my first play when I was, like, seven years old. That was me - a writer - for years.
Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.
I was a 52-year-old coach. But people don't realize I had 25 years as a head coach. Most coaches my age only had a few years as head coach. I had six years at Miami of Ohio, eight years at Northwestern, 11 at Notre Dame.
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