A Quote by Mahalia Jackson

Do you know most of the Jewish songs have the same trend of sadness as Negro spirituals? — © Mahalia Jackson
Do you know most of the Jewish songs have the same trend of sadness as Negro spirituals?
One of the most beautiful things that recruited me to join the LaRouche movement is its emphasis on Classical singing and composition, especially with the Negro Spirituals, adding a new depth of profundity to songs I had sang while growing up.
I'm an old fan of the Negro spirituals.
[W]e have always resented the natural inclination of most white people to demand spirituals the moment it is known that a Negro is about to sing. So often the request has seemed to savor of the feeling that we could do this and this alone.
I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
I don’t know how you can stand it. Over and over again, the same sadness—” He lifted her up. “The same ecstasy—” “The same fire that kills everything—” “The same passion that ignites it all again. You don’t know. You can’t remember how wonderful—” “I’ve seen it. I do know.
I didn't want to be on the losing side. I was fed up with Jewish weakness, timidity and fear. I didn't want any more Jewish sentimentality and Jewish suffering. I was sickened by our sad songs.
With my childhood, it's a wonder I'm not psychotic. I was the little Jewish boy in the non-Jewish neighborhood. It was a little like being the first Negro enrolled in the all-white school. I grew up in libraries and among books, without friends.
Most people are blown away by the fact that Beck is Jewish... and Billy Joel. I didn't know he was Jewish.
A good cry can be wonderful sometimes, and sadness is nothing more than love announced. Sadness and Unhappiness are not the same thing, and it is good to remember that. And there is this: sadness cleanses the heart.
We kind of just got more mature and more realistic with what we're doing. We kinda said, "We quit our jobs and we quit college to do this, and we're going to be playing these songs every day just about, y'know, on a stage... so let's write songs that we're never gonna get sick of playing." Songs that aren't just gonna follow a trend of what's going on right now, y'know?
Very early in life, it seemed to me that there was a relationship between the problems of the Negro people in America and the Jewish people in Russia, and that the Jewish people's problems were worse than ours.
The market being in a trend is the main thing that eventually gets us in a trade. That is a pretty simple idea. Being consistent and making sure you do that all the time is probably more important than the particular characteristics you use to define the trend. Whatever method you use to enter trades, the most critical thing is that if there is a major trend, your approach should assure that you get in that trend.
I don't know what it's like to be Jewish, but I suspect there is some aspect of that: being Jewish is the thing that bonds you as opposed to being Jewish from Poland, or Jewish from Hungary.
She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness.
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