A Quote by Mahan Esfahani

I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.

Mahan Esfahani

Quote Topics

Actually Always Am Bad Come Context Dynamic Experience Fun Good Huge Know Listen Me Mean Outside People Playing Range Realize Say Way

Quote Author

Mahan Esfahani
Born: 1984

I mean, already in the French Revolution, the harpsichord becomes identified with the aristocracy, with the ancien regime. Plus, hey, you know, I mean, harpsichord is a really easy target, isn't it? I mean, it's - it's just how it is.

Mahan Esfahani

The simple act of sitting down and playing something enormously complex and spiritually uplifting on a harpsichord just bores kids to tears. There's no sizzle, there's no grab. But it's the great lesson of serious music, that it invites you to listen, rather than demands that you listen.

David Ogden Stiers

I played piano. I've always liked piano. My father played piano. Actually, to be fair, the sound of the harpsichord did annoy him a bit, and I thought, how can I annoy Dad? I'll play the harpsichord.

Mahan Esfahani

I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.

Barbara Harbach

One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.

Mahan Esfahani

As long as there's a place for sundials and gardening and beautiful things, there's a place for the harpsichord. I completely reject the idea that harpsichord is old. And I reject the idea that something old is therefore not good or not popular. Lots of things are old. Lots of traditions are old - cooking, art. I like it because it's beautiful.

Mahan Esfahani

There used to be a certain condescension to Mozart. His music was regarded as pleasant. He was a porcelain figure playing a porcelain harpsichord.

Peter Shaffer

Well, harpsichord is kind of a big guitar, isn't it? I mean, it is plucked, after all.

Mahan Esfahani

I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.

Wesley Snipes

Lurch's quietness is a result of personal dignity. He appreciates things of quality. His greatest joy is playing Bach on the harpsichord, and he recognizes the music as the result of 'a great human effort to express.

Ted Cassidy

It's been a struggle to get people to come eat for fun. You know, the way they listen to music. You can do all kinds of things with music. But food - it's something people need, and that changes everything. You start playing with it, people have all sorts of reactions.

Wylie Dufresne

Someday we may have as many followers as the harpsichord.

Eddie Condon

I don't try to make the guitar sound like the harpsichord or lute. That makes you end up being like a bad copy.

David Russell

The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.