A Quote by Mahan Esfahani

Well, harpsichord is kind of a big guitar, isn't it? I mean, it is plucked, after all. — © Mahan Esfahani
Well, harpsichord is kind of a big guitar, isn't it? I mean, it is plucked, after all.

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Mahan Esfahani
Born: 1984
I mean, already in the French Revolution, the harpsichord becomes identified with the aristocracy, with the ancien regime. Plus, hey, you know, I mean, harpsichord is a really easy target, isn't it? I mean, it's - it's just how it is.
I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.
Well I was on the one hand, the more I played the guitar the more I began to really love the guitar and to love virtually any kind of music that anybody played well on guitar.
I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.
We, America, elected Trump. Putin didn't do it, nor the trolls in St. Petersburg with their zillions of busy bots. They may well have plucked certain strings in the national psyche - played us like a dimestore ukulele - but we were keen to be plucked.
I don't try to make the guitar sound like the harpsichord or lute. That makes you end up being like a bad copy.
I think guitar-wise, Eric Clapton was a big influence on me. I got to spend time around him. He's kind of strange, mysterious, serious and he always has played such hot guitar.
I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
I played piano. I've always liked piano. My father played piano. Actually, to be fair, the sound of the harpsichord did annoy him a bit, and I thought, how can I annoy Dad? I'll play the harpsichord.
I didn't mean for it to cause such a furor, but I was the first guy to ever do the national anthem with a guitar. Everyone else had the big brass band. Nowadays it's tracks that they sing to, but in my day, we had no tracks. And I was the only orchestra that I knew that was the best orchestra and that was me and my guitar.
We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
The electric guitar was a big step for me, but I didn't spend a lot of time trying to adjust. It wasn't like, 'Hey, little lady, come strap on this here big guitar.' We took it in steps as much as possible.
I got a toy guitar at a fundraiser and was trying to write songs with it that were ridiculous. After a week, my parents bought me a real acoustic guitar, and I started taking guitar lessons.
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