A Quote by Maharishi Mahesh Yogi
It's as if we live in a house which has a vast treasury in one of its rooms. Only we've forgotten about it. So, instead of living a life of royalty, we go about in poverty.
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Living simply is not about living in poverty or self-inflicted deprivation. It's about living an examined life where one has determined what is truly important and enough … and then just let go of all the rest.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
The number of rooms in a fictional house should be inversely proportional to the years during which the couple living in that house enjoyed true happiness.
Go on a living spree. While you're here, why not live it up? Make your list, then go be, do, and have everything you want. Live life to the fullest. Live a life of no regrets. Strive toward your potential. NO restrictions apply. This offer is good for a limited time only. Don't miss this opportunity. Go on a living spree!
Most people have forgotten how to live with living creatures, with living systems and that, in turn, is the reason why man, whenever he comes into contact with nature, threatens to kill the natural system in which and from which he live.
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
There simply aren't any grand moments in life, and we surely don't live in those moments. No, we live in the utterly mundane. We exist in the bathrooms, bedrooms, living rooms, and hallways of life. This is where the character of our life is set. This is where we live the life of faith.
There's about 260 rooms in the new castle which you go through, but it's all about the game play.
For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it.
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
I try not to live my life worrying about what others think. A core spiritual quality is nonjudgment, which is not just about not judging others, but also not living your life worried about others judging you.
Neighbors are competitors instead of partners, suspicious instead of trustful, indifferent instead of helpful, cold instead of loving, greedy instead of generous. We no longer consider ourselves living in neighborhoods, but only as living next to 'hoods.'
My grandfather was the king of a region in western Nigeria, where I had the privilege to live for seven years while growing up. But what we think of as royalty in the U.K. is very different to royalty in Nigeria: if you were to throw a stone there, you would hit about 30 princes.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
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