A Quote by Mahathir Mohamad

Free press is not absolute. In this country, we say clearly if you start stirring up racial hatred, then we will put a stop to it. We might even close down your paper, because these things can only lead to a lot of riots and bloodshed.
What she did was like the people stirring up the riots in Egypt and Libya, said my liberal brother John Flaherty. Just say anything without even caring if it is true. That is how riots start.
Under the Racial and Religious Hatred Act 2006, it is an offence to stir up hatred towards religious and racial groups. 'Stirring up hatred' is an expression both loaded and undefined. Do I stir up hatred towards a religious group by criticising its beliefs in outspoken terms?
And to me, that is the greatest danger, that people start questioning basic facts and start not understanding the importance of democratic institutions such as the free press. I mean, to call the press the enemy is dangerous and just remarkably bizarre. The press is the only profession protected in the Constitution because of how important the framers viewed the press. But in authoritarian regimes, they control the press. And to me, going down an authoritarian path is the greatest danger that we face as a republic.
There is no such thing as absolute freedom of the press, not even in the most advanced countries in the world. There are things you just don't say, because it will destabilise the environment.
When you're getting a lot of press, a lot of ink, you start believing your own crap. You start reading what you say and think you look smart. Sometimes you need to be knocked down a notch.
We try to stay as open-minded about casting as possible. When you're getting things down on paper, you might even avoid writing down a name, let alone if they have blonde hair or this or that, to stop.
I've always known that the best part of writing occurs before you've picked up a pen. When a story exists only in your mind, its potential is infinite; it's only when you start pinning words to paper that it becomes less than perfect. You have to make your choices, set your limits. Start whittling away at the cosmos, and don't stop until you've narrowed it down to a single, ordinary speck of dirt. And in the end, what you've made is not nearly as glorious as what you've thrown away.
I think if you asked people "what's the biggest problem in your life?" They'd say, "I just don't have time for anything!" And at our fingertips, if it isn't e-mail, it's our Blackberry, and it's our iPods and telephones - we never stop. We never take those moments to stop the stimulus to find out "what's going on in there? What's really happening?" And then things start to build up. And then we are almost afraid to slow down.
Before the L.A. riots, I'd only heard of the original Watts riots. But I'd also seen violence like that close up, but in smaller scenarios.
If you stop now and start to realise what you have achieved, then you start to relax, and you start to lose. I don't think about everything I have achieved. I will do it when I retire because then I will have a lot of days to remember.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
This is the only free country in the world that's doing lobbying. Voters should be the lobbyists. If we can spend all of this time with all these different celebrities who fill up the internet and magazines then we should be able to keep an eye on politicians because they might cost you your job and your home and your life savings.
When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it.
Great art grabs you, against your will, and then suspends your will. You are ushered into a quiet clearing, free of desire, free of grasping, free of ego, free of the self-contraction. And through that opening or clearing in your own awareness may come flashing higher truths, subtler revelations, profound connections. For a moment you might even touch eternity; who can say otherwise, when time itself is supendend in the clearing that great art creates in your awareness?
Obamacare is an absolute disaster! And half the country knows it's a disaster because the alternative media read the bill and told you what's in it and gave you the absolute anti-American contents to this piece-of-garbage bill. Half of the country doesn't know what's in it. They think it's free health care because that's what Obama's been out lying to people, you keep your doctor, keep your plan and your premium's coming down $2,500. People were lied to through his teeth. And they believed him.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
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