A Quote by Mahatma Gandhi

A satyagrahi is sometimes bound to use language which is capable of two meanings, provided both the meanings are obvious and necessary and there is no intention to deceive anyone.
One of the distinguishing characteristics of the true work of art is that it is able to both contain and express different meanings - meanings which may in fact contradict each other.
Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insinuate, and may even mean the opposite of what they apparently mean.
An amoeba is a formless thing which takes many shapes. It moves by thrusting out an arm, and flowing into the arm. It multiplies by pulling itself in two, without permanently diminishing the original. So with words. A meaning may develop on the periphery of the body of meanings associated with a word, and shortly this tentacle-meaning has grown to such proportions that it dwarfs all other meanings.
You know sometimes words have two meanings.
Meanings generating meanings - the process has backed us into a particular corner, a kind of cave, where sunlight seldom enters.
You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.
There are several different meanings of the words "religion" and "spirituality," all of which are important. The whole point about an integral or comprehensive approach is that it must find a way to believably include all of those important meanings in a coherent whole.
The greeting of peace (as-salamu 'alaykum) has many meanings. One of these meanings is that the person you are greeting will be safe from you (from your tongue, your heart, and your hand) and that you will not transgress against that person with your words or your deeds. This greeting is also a prayer for peace, safety, mercy, and blessings. We should take these noble meanings, which we so often say with our tongues, and make them our way of life in our dealings with other people.
The Text is plural. Which is not simply to say that it has several meanings, but that it accomplishes the very plural of meaning: an irreducible (and not merely an acceptable) plural. The Text is not a co-existence of meanings but a passage, an overcrossing; thus it answers not to an interpretation, even a liberal one, but to an explosion, a dissemination.
The continual pursuit of meanings-wider, clearer, more negotiable, more articulate meanings- is philosophy.
There is a deep question whether the possible meanings that emerge from an effort to explain the experience of art may not mask the real meanings of a work of art.
The primary function of the creative use of language - in our age - is to try to constantly restore words to their meanings, to keep the living tissue of responsibility alive.
The subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.
Meanings are not determined by situations, but we determine ourselves by the meanings we give to situations.
A situation is always comic if it participates simultaneously in two series of events which are absolutely independent of each other, and if it can be interpreted in two quite different meanings.
In most films, when we act, we don't see such meanings in what we do. Rather, we don't realise it. Only when we see it as a continuous film later on do we realise such deep meanings. That is the brilliance of the director.
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