A Quote by Mahatma Gandhi
If the poet spun for half an hour daily, his poetry would gain in richness.
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Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
I get no sense from his note at all,” said Will, bounding to his feet, “except that he can quote Tennyson’s lesser poetry. Sophie, how quickly can you have Tessa ready?” “Half an hour,” said Sophie, not looking up from the dress. “Meet me in the courtyard in half an hour, then,” said Will. “I’ll wake Cyril. And be prepared to swoon at my finery.
He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry - it is he who is a poet.
Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.
The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Memento mori - remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die-what makes this any different from a half hour?
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
Geoffrey Hill may be the strongest and most original English poet of the second half of our fading century, although his work is by no means either easy or very popular. Dense, intricate, exceedingly compact, his poetry has always had great visionary force.
Upon this gifted age, in its dark hour falls from the sky a meteoric shower of facts; They lie unquestioned, uncombined. Wisdom enough to leech us of our ill is daily spun, But there exists no loom to weave it into fabric.
Politics in any country in the world is dangerous. For the poet, politics in any country had better be disguised as poetry. Politics can be the graveyard of the poet. And only poetry can be his resurrection.
In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the area of man's concern, poetry reminds him of the richness and diversity of existence. When power corrupts, poetry cleanses.
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