A Quote by Mahela Jayawardene
People are already worrying about the ball moving around and all that jazz.
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I don't think about what other people expect or anything. I mean, I sit and worrying so much about what I'M thinking, I'd go NUTS if I sat around worrying about other people.
I get my dance moves from just moving around and listening to music and not really worrying about if it's perfect or not.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Players who win on a clay surface are those who can control the ball, playing steadily and accurately from the back-court, keeping the ball in play and moving it around with changes of speed and spin, and resisting the temptation to over-hit.
Everybody has their own answer of what a catch should be. I say, secure the ball; if the ball is not moving, it's a dead ball, simple as that.
I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
People always ask me about the role models that I'm providing for kids, and I say I can't be concerned with that. I'm not worrying about corrupting youth. I'm worrying about writing realistically and truthfully to affect the reader.
I'll carry a ball around with me all day and ask people to try to knock it out of my hand when I least expect it. I'll give them some money and stuff, so people get pretty geeked up about that. It just helps me to take care of the ball without even thinking about it.
I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities.
I'm playing jazz throughout the song 'Black Sabbath.' That's what it is there. I mean, I'm moving some other things around, but that is forever in there.
We're blessed to be worrying about the silly things that we worry about when people are worrying about where they are going to sleep, and what they are going to feed their kids every day.
Why should Americans go on with their lives as normal, worrying about calories and hair loss, while other people are worrying about where they are going to get their next piece of bread?
With a character like a Captain Jack, who can essentially set up these verbal land mines around him, and just keep passing the "absurdity ball" around and the "irreverence ball" around, and keep people guessing and keep people confused, there's great safety in that. Me, myself, personally, I learn from it. It's a real pleasure, and I do need him.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
It's funny to find there are still people around who think if a musician has schooling, it automatically makes him a lesser jazz player. But you don't learn jazz in school.
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