A Quote by Mahershala Ali
I think #OscarsSoWhite is about there not truly being enough people of color represented.
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I think the legacy of the civil rights movement is that now whites are more open to being represented by people of color or people who are women or, again, non-traditional candidates.
People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.
I am also going to go with somebody who is the opposite of Donald Trump and her name is Johari Osayi Idusuyi. I think she represented millions and millions of Americans who look at the message that Donald Trump is using his fame and the power he has accumulated to,you know, to send out into the world and it`s horrified. And I think her quiet resistance represented so many people because I`ll tell you, people of color have been trying to warn this country about Donald Trump for a really long time and I think she reminded us.
I don't think the mainstream media understands people of color are multidimensional. For some reason, there's an idea that only white people are relatable. I don't think it's necessarily racist. But it's odd, because the people who watch the most television are black women, so we should be represented in more ways.
I've always felt fine about Putin. I think he is a strong leader, he's a powerful leader, he's represented his country the way - the country is being represented.
I think we can topple the patriarchy by using our voices to speak out against things that aren't right and that we don't agree with. I think for people who are not people of color or members of the LGBT community, it is being an ally and being an advocate in spaces that people of color or members of the LGBT community can't really get into.
I think the goal is parity: I try to be pro-woman without being anti-man, and I hope and wish that men could do the same in that when they look at the screenplay, they say, 'Wait, wait, wait - is my daughter represented here, is my wife represented here? Is my sister represented?'
To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.
We know there aren't enough dark-skinned women that are being represented so that was something I really felt like I needed to talk about.
It's important that we're properly represented and for viewers to see all the bits and pieces of being a woman of color.
'Color-blind' comes up - people say 'Oh, I'm color-blind and therefore can't be accused of racism,' but I think that if we are going to have an honest dialogue about racism, we have to admit that people of color are having a different experience.
In England, you feel like a member of the revolutionary guard the minute you even mention race. But I do think that the OscarsSoWhite phenomenon will have to reflect back on England. What people are essentially saying is that they want to see more diverse stories. It's not about putting three black people in the back of the shot.
There are so many brilliant, trained actors of color in America. If you just think about it, every year in the spring Julliard and NYU and Yale and hundreds of schools across the country graduate classes of trained actors, and in those classes are actors of color. So to say that there aren't enough actors of color is factually inaccurate.
I am willing to compete on my merits and on my character - not with the color of my skin. We talk about being a color-blind society, but I don't think the political process could actually handle that.
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
People who look at art don't really - don't go with the artist. They don't sort of accept what he or she has done and kind of go with it. There are always - either there's too much color or not enough color, either it's not conceptual enough or it's too conceptual. In other words, most criticism isn't what the viewer expected that it would do based on what they think you have done and that's good as far as I'm concerned.
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