A Quote by Mahershala Ali

'House of Cards' opened some doors. I've been able to tackle some diverse stories and characters. — © Mahershala Ali
'House of Cards' opened some doors. I've been able to tackle some diverse stories and characters.
Some days are diamonds, some days are rocks. Some doors are opened, some roads are blocked. Sundowns are golden, then fade away. And if I never do nothing, I'll get you back someday.
We made a commitment to making diverse stories with diverse characters brought to life by diverse artists.
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos.
Some things, however, are true no matter how hard you might try to block them out, and a lie is always a lie, no matter how prettily told. Some doors, once they're opened, can never be closed again, just as some trust, once it's been lost, can never be won back.
So many people appreciate what you've done, the doors you've opened, but some people realise they're not going to be able to make as much money as they thought possible when you first started.
I would love to be able to play some characters on television that are similar to some of the indie film roles I've done, that have been so close to my heart.
I try to widen the horizons of every child I meet, and part of that is promoting diverse forms, be it graphic novels, stories told in a narrative voice, or more translated books, as well as more diverse writers and more diverse characters.
There have been some doors opened to us as a result of our being a minority-owned business. But that's not going to sustain us over the long term.
I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
[Winning the Thelonious Monk International Saxophone Competition]definitely opened some doors.
I've fought on some big cards. I've fought in some big arenas, on televised cards, pay-per-view cards, whatever.
Some stories we know well and some we learn as we go. Being able to shape and share these stories into new perspectives and new ideas is incredibly gratifying.
It's tough to say where I live. There are some bills that get to the house in L.A., some to the house in Mexico, and some to the house of my father - so I never lose track of those.
What I didn't know that by sticking to craft we would blow open some doors that I never saw opened before.
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