A Quote by Mahershala Ali
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
Maybe it’s my own fault. Maybe I led you to believe it was easy when it wasn’t. Maybe I made you think my highlights started at the free throw line, and not in the gym. Maybe I made you think that every shot I took was a game winner. That my game was built on flash, and not fire. Maybe it’s my fault that you didn’t see that failure gave me strength; that my pain was my motivation. Maybe I led you to believe that basketball was a God given gift, and not something I worked for every single day of my life. Maybe I destroyed the game. Or maybe you’re just making excuses.
I think a lot of actors, maybe who have been on a hit show and been lucky enough to get successful, might say 'no' more than I do. And maybe that's good, maybe that's smart. I don't know.
There's a lot of unrest. There are a lot of people who are unhappy. I don't want to say I'm their hero, but a lot of people have said that... It's like this in every job, I think. There's certain people who are afforded privileges and maybe, maybe don't deserve them.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
I've... been accused of being involved with every man I'm ever seen with or worked with. Maybe I have, maybe I ain't. I never tell if I have.
I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
I wanted to tell him that I will never be sorry for loving him. That in a way I still do - that maybe I always will. I'll never regret one single thing we did together because what we had was very special. Maybe if we were ten years older it would have worked out differently. Maybe. I think it's just that I'm not ready for forever.
I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.
I had a blast in the '90s, perhaps too much fun, and maybe I should have worked a lot harder and partied a lot less, but I definitely don't regret the 12 years I spent living out in L.A.
A lot of people who are in charge in Hollywood are women, so they have the power. Now, I've met a lot of these amazing women who are offering opportunities to other women, and they're awesome. But for the women who maybe haven't done that yet, it's like, why?
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
As a showrunner, you can never be a 'maybe.' When I do movies, there is a lot of, 'Maybe' and, 'Let's investigate that.' But for TV, it has to be yes or no.
I do a lot of weird movies that maybe you don't like and I experiment a lot but maybe I do appreciate the process and I think my greatest joy in this business is that I have had the ability to screw up in a lot of really interesting films!
Maybe almost 20 years ago, I was like, 'God, I need to be more direct.' And I found times that I could practice it when it was maybe not my family or friends or co-workers. It's a quality that's rarely disliked.
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