A Quote by Mahesh Babu
Getting in and out of a character takes its own time for me.
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My fiction is based on both my own experience transformed, altered, juggled and changed to suit the demands of composition, character, and plot. If I see a theme emerging in a story I will likely take it up and develop it. I hardly ever set out with a conscious plan and if I do the story usually takes over and takes me where it wants to go.
Getting out of a character is emotionally taxing. You get used to being a person on camera, and when you move on, the character remains with you for a long time.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
Actors sometimes immerse themselves into it so deeply that the line between who they are and their character can become blurred. For me, I think it's just about getting clearer on my whole life and who I am in order to make it possible for me to play whatever character is presented to me at a particular time.
When I hear that a project takes place out of town, the material better be terrific, and it has to come at the right time. My kids are getting older, so it's getting easier, but being a mother - it's a difficult thing to juggle.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
I'm dyslexic, and it takes me longer to memorize and to embody the character so I can really own it.
I love factoids. It's hard for me to keep those out. It just takes realizing that it's stopping the character. Part of it is the decision to keep things where you want to train the spotlight. For me, it's the personal side. I always ask, How does the person inside the character relate to this?
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
There's always time. . .to own up to things you're ashamed of, to change them. There's always time to start. And I think the starting is the most important thing. It takes courage. It takes a lot more courage than any vain feat of arms, let me tell you. It takes a lifetime to become a fool, and only a moment to begin to become wise.
I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
It definitely does take some time to get accustomed to the character you're portraying and takes an equal amount of time to get out of it.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.
I never saw so intelligent a man have so much trouble in getting out a connected sentence. Ever since I have known him, he has desired to have a long talk with me, but he never gets started; and yet each time he meets me with renewed zest for the outpouring. It is like getting congealed liquid from a demijohn; you know the jug is large and full, but getting the contents out is the problem.
I get a fair amount of time between projects, which is great. It takes me awhile to start getting nervous about getting another job again. I don't mind having a lot of down time. I'm pretty lazy. So I really don't mind it. But I'm lucky; I work fairly steadily. I'm lucky that I've managed to do that.
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