A Quote by Mahesh Babu

Emotions should be real; one shouldn't come across as acting. — © Mahesh Babu
Emotions should be real; one shouldn't come across as acting.
That to me is what my idea of film acting should be. There shouldn't be any acting. You should just be watching a real person.
Good acting should be invisible. You shouldn't be aware of the acting. It should feel real.
Acting has always been a way for me to express the emotions I had buried. If I hadn't acted, I would have gone insane. In my acting class, I could let out my real tears and everyone thought it was the character. But no, it was me.
I want to break into the acting industry. It's something I have a great deal of respect for; it's a passion of mine. It's so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that's pretty cool.
When you're acting you always want to come across as if you're not acting. For me, my take is always to have it feel like you're watching someone on film and that comes with a lot of preparation time.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
The final test of a painting, theirs, mine, any other, is: do the painter's emotions come across?
The final test of a painting, theirs, mine, any other, is: does the painter's emotions come across?
From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it.
At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
So when Jesus directs us to pray, “Thy kingdom come,” he does not mean we should pray for it to come into existence. Rather, we pray for it to take over at all points in the personal, social, and political order where it is now excluded: “On earth as it is in heaven.” With this prayer we are invoking it, as in faith we are acting it, into the real world of our daily existence
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
A party should not contain utterly incongruous elements, radically divided on the real issues, and acting together only on false and dead issues insincerely painted as real and vital. It should not in the several States as well as in the Nation be prostituted to the service of the baser type of political boss. It should be so composed that there should be a reasonable agreement in the actions taken by it both in the Nation and in the several States. Judged by these standards, both of the old parties break down.
You can't control how you come across and if you try to then you come across looking like an idiot anyway.
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