A Quote by Mahesh Babu

It's better to do a film that works. — © Mahesh Babu
It's better to do a film that works.

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Nick O'Leary loves to compete. His work ethic is fantastic, and that's what I like about him. He works, and works, and works; and if he has to get better, he gets better.
I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
I don't know if there's ever been a female-driven film or a male-driven film. I don't believe in that. I believe a film is a film - a movie can only work if everything about the film works.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.
As a kid, I always loved serialized books. It’s the reason why people love Harry Potter. Serialization is amazing. It works in television. It works in film and it works in books. Especially when you’re a young kid, you get attached to these characters.
As a kid, I always loved serialized books. It's the reason why people love 'Harry Potter.' Serialization is amazing. It works in television. It works in film and it works in books. Especially when you're a young kid, you get attached to these characters.
My older son works in finance and private equity, which he loves, and Lucas works in film and theater.
That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer. ... I'm not anti-digital, I just think, for me, film works better.
It's not always important to do a "show," but a live element always works better for me, unless I am making a film that goes beyond the clothes.
I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Some things work better as a book, some things work better as a story, some things works better as a film.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
My brother knows more about film sets than I do, because he works at New York Film Academy.
A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
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