A Quote by Mahesh Babu
I don't remake any movie, whether old or of other language.
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With any movie that gets remade, whether I like the remake or not, I'm glad that I can still go watch the original that I love. If the remake is offering something different, I really value that because I'm having a new experience and adding something new to my life.
I don't think it's sacrilegious to remake any movie, including a good or even great movie.
I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.
I decided to remake 'Sairat' and contacted Nitin Keni of Zee Studios with a plan to remake the movie in all south Indian languages.
Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.
A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes; it just keeps going.
The old view was that delicacy of language was part of the nature, the sacred nature, of eros and that to speak about it in any other way would be to misunderstand it. What has disappeared is the risk and the hope of human connectedness embedded in eros. Ours is a language that reduces the longing for an other to the need for individual, private satisfaction and safety.
Whether you're a believer or not, a flawed biblical epic is going to be more entertaining than a remake of a Paul Verhoeven movie or some third-rate sci-fi flick.
It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.
Having an international voice is not really about whether we speak Persian or any other language.
I did Kushi Kushiga,' the remake of Chronic Bachelor;' Kalyana Ramudu,' which is the remake of Kalyanaraman;' and also Software Ganda' in Kannada, the remake of My Boss.'
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
I'm just curious how it'd look like if someone tried to remake my work. But I really believe that it's hard to remake of any of my work.
I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.
Language is as old as consciousness, language is practical, real consciousness that exists for other men as well, and only therefore does it also exist for me; language, like consciousness, only arises from the need, the necessity, of intercourse with other men.
Language is the biggest barrier to human progress because language is an encyclopedia of ignorance. Old perceptions are frozen into language and force us to look at the world in an old fashioned way.
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