A Quote by Mahesh Manjrekar

I am an actor who gets into a role only when the director says 'action' and gets out of it with 'cut.' — © Mahesh Manjrekar
I am an actor who gets into a role only when the director says 'action' and gets out of it with 'cut.'
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I am a fan of all genres. My big thing is to serve the purpose of the script and what the director wants. If it's a comedy, I want to be funny; if it's action, I want to bring the action. If it's drama, I want to be the catalyst for that drama. That's the fun part; it never gets boring being an actor.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you.
It's a terrible mistake when it gets to be a contest of egos. The actor is always going to win. If a director gets into a control situation and is overbearing, it's deadly.
Every director, actor, and even producer gets angry on the sets. Why am I the only one being singled out for losing my cool or being talked about vis-a-vis my anger?
In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. Its like watching a masterpiece.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.
Anything that gets in the way of my focus to create gets cut out of my life. It's not easy. Sometimes it's family. Sometimes it's friends. Sometimes it's the ability to have a relationship.
A champion shows who he is by what he does when he's tested. When a person gets up and says 'I can still do it', he's a champion. If they cut my bald head open, they will find one big boxing glove. That's all I am. I live it.
If another actor gets a good role, I'm furious.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
When you get to work with a good director, an actor's job gets reduced to half.
Once the director calls for action, we act; we stop when he says 'Cut.' It is sort of like meditation - unknowingly, you are moving out of yourself, becoming someone else. That is why I consider acting a form of meditation.
Sometimes when you're doing a comedy, the director will yell out "alts" and then the director gets the first laugh.
This site uses cookies to ensure you get the best experience. More info...
Got it!