A Quote by Mahesh Manjrekar
The first HIV movie in India, 'Nidaan,' was done by me which at that time nobody dared to even try.
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Some countries that I go to are still trying to deny that it's happening. In India, 2.1 million people are living with HIV AIDS. India manufactures most of the drugs that are used to cure HIV around the world, which is an amazing, amazing fact that most people don't know.
An ex-boyfriend of mine is living with HIV. He has an undetectable viral load so I know first-hand how this can affect people in a serodiscordant couple - which is where one partner is HIV-negative and one is HIV-positive.
The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool.
There are really at least two Indias, there is an India or a shining India the one which the west seas usually through urbanize and there is an India outside some of the big metro policies and in even the tier two cities and in rural India which is completely different. It goes by the name of Bahar which is a traditional name for India.
The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.
My first intellectual challenge was to try to understand this incredible city of Banaras (also called Varanasi) in India and its meaning for Hindus. That was the place I lived for the first year I was in India and I've been back many times. It's a kind of home to me.
We found ourselves wanting to hurry time along, which was not in the long run good for our health. Everybody was trapped in this contradiction but nobody ever dared to articulate it.
When I wrap a job, I disconnect with it, and I'm done, even if they said we'd shoot more next year, at this time, which is not the case at all because nobody knows what's happening.
I've done so many movies with first-time directors, and honestly I just go with gut instinct. People that usually can tell me a good story, and talk to me about why the movie is the movie they want to make. I just go with my gut.
'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
The number of people with HIV receiving Medicare benefits has grown over time, reflecting growth in the size of the of the HIV positive population in the U.S. but also an increased lifespan for people with HIV due to antiretroviral medicines and other treatment advances.
The beautiful despair is never fruitless. It keeps you going. Like when I first heard Bob Dylan do 'Things Have Changed,' or any time I see any work of art really beautifully done, like Michelangelo's 'The David' or that movie 'Lost in Translation' - it inspires me to try and find my own version of that.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
Nobody knew me in Delhi when I shot for my first music video, 'Haaye Dil,' at India Gate.
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