A Quote by Mahesh Manjrekar

My dream is to make a movie on 'Vyakti Ani Valli,' a play based on the famous book written by P.L. Deshpande. — © Mahesh Manjrekar
My dream is to make a movie on 'Vyakti Ani Valli,' a play based on the famous book written by P.L. Deshpande.
There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.
Obviously it's easier when I' m doing the adapting myself. But my feeling is, your potential upside far outweighs the downside. Ultimately, they [moviemakers] can't change your book. Your book remains on the shelf the way you wrote it. If they make a great movie of your book, then you have the equivalent of millions and millions of dollars of advertising for your book. If the movie's not that good, that doesn't mean the book's not good. It doesn't change what you've already written. It has the potential to reach more people.
I don't know if kids still read it, I just know that for me - as a boarding school kid - the book had a lot of resonance. It was a well written book. I was honored to play a part in that movie version.
Polar' is based on the first and a little bit on the second book and all the characters from those novels are in there. The story is based on the graphic novel, but when it came to the execution of the film I felt I couldn't really make a movie without any dialogue.
When a movie based on a book comes out, people always say that the book is always better than the movie. So I'm always interested in reading the book, too.
I've only written one science-fiction book: 'Fahrenheit 451.' That book is a book based on real facts and my hatred of people who destroy books.
'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
I still see referees officiating based on names on the front and back of jerseys and not based on how the rules are written in the rule book.
I've always dabbled. I've always nearly written a book, I've always tried painting, I've always tried to make something out of ideas, really. It was never a plan. I never thought, "Right. First I'll get famous, and then I'll do a book.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.
'The Handmaid's Tale' breaks my heart. It's a show based on the book written in the '80s by Margaret Atwood - who is a spectacular talent. That book is a work of art.
I have a new book coming out, so I do movie, book, movie, book, movie, book, every place we go.
A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
I'm willing to make compromises based on someone I think is the one, but I think it's psychologically important to people when they're famous to be the only famous person they know.
If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.
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