A Quote by Mahesh Manjrekar

It is not easy acting and directing yourself because you have to face the camera as well as look at the scene through the lens. — © Mahesh Manjrekar
It is not easy acting and directing yourself because you have to face the camera as well as look at the scene through the lens.
Looking through the camera lens reduces noise; as humans we see a million shapes, colours and textures. What the lens does, what art does in general, is get rid of all the noise. It hones in and isolates the qualities of a scene.
If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
I've been acting since I was 2 and have always been on camera but doing a video is different because when you're acting, you pretend the camera's not there and you just do the scene and with a music video you're right in the camera so it feels weird sometimes.
I like the ending of the movie [War Horse], simply because it's such a demanding scene emotionally, and yet [the look] is all done on camera. I like the work not to be manipulated digitally. And it's all done on camera [in that scene].
I actually like acting in things that I'm directing because I'm able to control the tone of how a scene may go and I know, very clearly, what I want from myself in that scene and what I need, as far as from a directorial standpoint.
As soon as I look up, his eyes click onto my face. The breath whooshes out of my body and everything freezes for a second, as though I’m looking at him through my camera lens, zoomed in all the way, the world pausing for that tiny span of time between the opening and closing of the shutter.
When a regular camera focuses physically, what the regular camera is doing is adjusting the lens relative to the sensor to bring different parts of the scene into focus.
I tell stories, and I do it through writing, through acting, through my stand-up, and through directing. All the hats I wear - producing as well - ultimately, I am a storyteller.
I prefer directing to acting. There is huge freedom that comes from being behind the camera. It brings a lot of responsibilities as well but is intensely rewarding.
There is a big difference between performing in WWE before thousands of people in an arena and acting in a scene with a camera close-up on your face.
What happens on “Mad Men” in terms of the acting and the writing and the directing, it’s superior. And yes, it has tremendous cache and buzz because it’s become iconic, but it also deserves all the kudos and the awards as well, because it’s a beautiful show to look at.
What happens on 'Mad Men' in terms of the acting and the writing and the directing, it's superior. And yes, it has tremendous cache and buzz because it's become iconic, but it also deserves all the kudos and the awards as well, because it's a beautiful show to look at.
I have been directing and involved in producing and the creating of films for quite a while as well as acting. I always think in terms of what the director needs, and not just for this scene but for the film.
Dude, writing, acting and directing are such easy jobs. But to do them all as awesomely as Zach Braff does, well that... that's something.
We must look at the lens through we see the world, as well as the world we see, and that the lens itself shapes how we interpret the world.
This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.
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