A Quote by Mahima Chaudhry

I was working for Ajay Devgn and Kajol's home production film 'Dil Kya Kare' with Prakash Jha. During that, in Bengaluru, while on my way to the studio, I had a massive accident where a truck hit my car, and the glass of my car went into my face mostly. I thought I was dying, and at that point, no one even helped me get to the hospital.
I did work with Ajay Devgn and Kajol, who did the voiceover in 'Makkhi'. I wanted a couple with easily identifiable voices but with an image for being family-oriented. Ajay and Kajol fitted the bill. You get a good feel about them.
We named the film 'Action Jackson' because our hero, Ajay Devgn, is known as 'AJ,' and we thought it would be a good idea to use the initials and extend it into the title 'Action Jackson,' as Ajay is doing both action and dancing in the film.
I have a wish list for 'Awwal.' I want to work with Ajay Devgn. I need an entertainer, a big star as this is a big film. I feel Ajay will be suitable for the film. He can seriously carry a comic role.
Sam Cooke had a huge influence on me. He left the gospel field at one point and went into the secular, and he had this huge hit, 'You Send Me.' Irma, my older sister, and I heard 'You Send Me' on the radio while we were driving through the South one night. We had to stop the car. We got out and danced around the car out on the highway.
It was the last day of the shoot in Bangalore. An early morning shoot. I sat in the car. A milk truck was coming from the wrong side and it rammed into my car. The glass pieces came like bullets into my face. I was preparing for a life without cinema. I was learning how to cope up with it. Anything that happened post that was just God's gift.
When I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.
A couple of days back, I got into a car accident. Not my fault. Even if it's not your fault, the other person gets out of their car and looks at you like it's your fault: Why did you stop at a red light and let me hit you doing 80!
Having taught economics courses at private vocational schools and universities, I have always had a problem with GNP as a yardstick of prosperity. GNP is improved by increases in questionable activities such as consumption of cigarettes and the production of weapons. Moreover, a substantial increase in car accidents will favorably affect GNP because more funerals, hospital visits, car repairs, and new car purchases will result.
When I was 7, an old lady was driving too fast in my neighborhood and hit me with her car. I was running out of the house, and when I got halfway into the street, my mom saw the car and yelled for me to run back. As I turned around the car hit me, dragged me five houses down the road, and I fractured my collarbone.
While I have got to work with someone as experienced as Ajay Devgn sir in my first film, it is exciting to work with a promising actor like Meezaan in my second.
In the car on my way to the studio, I was listening to 'Where Are U Now' with Justin Bieber and Jack U, so I was like, 'Wow, this is such a banger.' I loved the thought of having a ballad at the beginning and then just a massive drop.
I was hit by a car when I was 13, and the rumour was immediately that I had been playing chicken with the car with my best friend Kenny in front of the Nutmeg Pantry, which was the only shop in Sharon. In fact, the guy who hit me was inebriated.
There were rumors in the magazines that I was seeing Ajay Devgn. That made me even more uncomfortable.
My father would schedule meetings over breakfast. Film-makers such as Rakesh Roshan and Prakash Jha have seen me as a child run around the house.
When I was in Mumbai for the promotion of 'Makkhi,' I met Ajay Devgn, Kajol, and Shah Rukh Khan, and I wanted to meet Aamir Khan. He was shooting out of India. I also met my favourite director, Raju Hirani. All of them showered praises on 'Makkhi.'
We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.
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