Never forget that there are only two philosophies to rule your life: the one of the cross, which starts with the fast and ends with the feast. The other of Satan, which starts with the feast and ends with the headache.
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
Life is a cycle of ends and starts.
Your whole life and the story of your journey is the landscape picture on the front of the box of a 1,000 piece puzzle. The pieces are each a small sticky note that ends in mid-sentence. You simply need to figure out where each one starts and ends.
In life you are given two ends; one to think with and the other to sit on. Your success in life depends on which end you use most. Heads you win, tails you lose.
As modern physics started with the Newtonian revolution, so modern philosophy starts with what one might call the Cartesian Catastrophe. The catastrophe consisted in the splitting up of the world into the realms of matter and mind, and the identification of 'mind' with conscious thinking. The result of this identification was the shallow rationalism of l' esprit Cartesien, and an impoverishment of psychology which it took three centuries to remedy even in part.
I am so picky about what films I get myself into because it's such an explosion of energy and commitment once you get in there, you destroy your life until you deliver these films. I never want to be in the position of making films that won't be a great use of 90 minutes of someone's life.
I think taking the biggest star in India and the biggest star in America, and putting them together in a movie that starts in America and ends up in India, or starts in India and goes to America. I think it would be a buddy cop formula.
Acting Is unlike any other profession in the world. It's a succession of jobs. When 'The Addams Family' ends, however good you may be, when that job ends, you end. My gettng the show was a million-to-one shot.
For me acting is just a profession. As much passion I have for my profession, I always seperate profession from life.
I like to create events where people are going to make memories, and that always starts and ends with food in my life.
The kinds of films I like are the ones that take their time. If you reach an emotional pinnacle too early on in a film, that's kind of it. I think, as in real life, when you're getting to know someone, it starts off slowly.
Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there.
What I like to wear, I do myself. I don't know how that sounds, but it's the truth. My life is so mixed with my profession that I don't know where I begin or my work ends.
Everything has a beginning and an end. Life is just a cycle of starts and stops. There are ends we don't desire, but they're inevitable, we have to face them. It's what being human is all about.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.